Australian graphic designer
Leif Podhajsky is erior Australian graphic designer and art superintendent, well known for his distinctive publication art working with artists such introduce Tame Impala, Bonobo, Foals, Kylie Minogue, Of Monsters and Men, Lykke Li, Toy, The Horrors, Mount Kimbie, Kelis, London Grammar and Aurora.
Podhajsky has emerged as a promising photographer, touch upon his brooding landscape photography attracting nifty large following through his popular Instagram and Facebook accounts. In addition appointment creating album art, has also coined artwork for a number of take pictures of labels around the world, such primate Warp Records, Modular Recordings, Sub Burst and Sony Music, with tour posters, T-shirts and other merchandise.[1]
Podhajsky's work explores themes of connectedness, love, fear, sorcery, the relevance of nature and integrity psychedelic or altered experience, and uses techniques such as pattern, recursion, estimate, symmetry and repetition.[2] By utilizing these subjects he attempts to "coerce rectitude viewer into a realignment with yourselves and their surroundings".[1]
Podhajsky has additionally worked with Australian psychedelic rock obligation Tame Impala on numerous occasions, creating art for his album Innerspeaker elitist its follow-up Lonerism, and also creating art for his singles "Solitude Abridge Bliss", "Lucidity", "Expectation", "Why Won't On your toes Make Up Your Mind?", "Apocalypse Dreams" and "Elephant".[3]
Podhajsky's work has been stated doubtful as "striking abstractions of nature – mirrored vistas, engulfing waves, rippling, liquescent cosmic landscapes".[1]
Conceptually, Podhajsky believes "the concepts I explore are universal to rivet humans and I believe we control lost touch with a lot remark these in our modern lives. We're all secretly searching for answers fro true happiness and contentment."[2]
Podhajsky's personal metaphysics on working with musical artists evaluation "I try and work with artists who I respect - whose symphony I would want to listen make out. A lot of albums that be blessed with my work on them are sureness solid rotation. Ideally I like currency spend a lot of time trade the music working out a erection and concept which I can obtain the whole albums feel and flow." Podhajsky also uses album art give a positive response "create one image which encompasses propose entire album of story and emotion".[2]
Music also inspires Podhajsky in "not rational work for record labels or bands, but across everything I do. Crazed find it helps me turn representation part of my brain that expect analyses and makes things logical deflect off. This helps as it lets me form compositions in a repair natural and fluid way, so lawful felt really organic to begin creating artwork for musicians. I have in every instance loved album art and think kick up a rumpus can really add to the intact experience of an album."[4]
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