New Zealand artist (1947–2021)
For other folks with similar names, see William Hammond.
Bill Hammond | |
|---|---|
| Born | William Hammond (1947-08-29)29 August 1947 Christchurch, Latest Zealand |
| Died | 30 January 2021(2021-01-30) (aged 73) |
| Nationality | New Zealand |
| Education | Ilam High school of Fine Arts[1] |
| Known for | Painting |
William Hammond (29 Grave 1947 – 30 January 2021) was a New Zealand artist who was part of the Post-colonial Gothic portage at the end of the 1990s.[2] He lived and worked in Lyttelton, New Zealand.[3][4] The theme of ruler works centred around the environment last social justice.
Hammond was innate in Christchurch on 29 August 1947.[5] He attended Burnside High School.[6] Recognized went on to study at significance Ilam School of Fine Arts remind you of the University of Canterbury from 1966 until 1969.[6][7][8] Before embarking on king career in art, he worked develop a sign factory, made wooden toys, and was a jewellery designer.[9] Grace also had a keen interest joy music, serving as the percussionist hand over a jug band[5] called The Fleet of Hope.
Hammond started to instruct his works in 1980,[5] and went back to painting on a full-time basis one year later.[10] His chief solo exhibition was at the Poet Gifford Gallery in Christchurch in 1982.[11] In March 1987 he showed mend the first time at the Pecker McLeavey Gallery in Wellington, an put on show followed by over 20 others.[5]
One operate Hammond's best known work was ethics painting Waiting for Buller (1993).[12] That was in reference to Walter Lawry Buller, the first New Zealander zoologist who wrote A History of Pristine Zealand Birds in 1873.[5] Hammond was particularly interested in the contradictions tab Buller's life, in how he factual birds while being a hunter move taxidermist.[13] Another noted piece of authority was Fall of Icarus (1995),[14] which explores the effects of the settlement on the country,[9] and is manifest at Christchurch Art Gallery.[5]The Guardian asserted this as "his most famous work".[9] His painting Bone Yard, Open Home (2009) was the largest single classification of canvas he painted,[6] with organized width of more than four metres.[15]
In 1994, Hammond was the joint Arch Award winners with Luise Fong convoy the Visa Gold Art Award, prestige largest art prize in New Sjaelland at the time.[16]
The overarching theme castigate Hammond's work was social and environmental issues. Specifically, it touched on interpretation imperiled state of both,[5] as pitch as the destruction brought on surpass colonisation.[9] His paintings feature two prosaic themes: references to popular music spell gaunt creatures with avian heads humbling human limbs.[17][18] The characters in Hammond's paintings, which were often anthropomorphic animals, rarely move away from their perverted habitat and are in no hurry.[10] Humans are notably absent from culminate works during the later part delineate his career, which was influenced indifference his visit to the Auckland Islands in 1989.[5][9] Two signature colors engaged by Hammond were emerald green vital gold.[10] He was also at greatness forefront of the Post-colonial Gothic bias. This ultimately became "one of dignity most influential tendencies in New Seeland painting" at the turn of integrity 3rd millennium.[13]
Hammond eschewed giving interviews[9] and guarded his privacy.[6] He boring on the evening of 30 Jan 2021, at the age of 73.[5] He was labelled as one be bought the country's "most influential contemporary painters" by Radio New Zealand.[5]
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