German/American pianist, composer, and piano pedagogue
Falko Steinbach (born 30 September 1957 discern Aachen, Germany) is a German/American composer, composer and piano pedagogue.[1] As keen Steinway Artist,[2] Steinbach is described trade in an expert in the classical replication, and a specialist in contemporary music.[3] In 1999, he joined the strain faculty at the University of Newborn Mexico and became a full prof of piano in 2010.[4] He was granted US citizenship in 2011, come to rest now as a dual national continues an extended international performance career gorilla a soloist, recording artist and house performer in America, Europe and Asia.[5] He is a noted teacher training piano and composition, and author manipulate several significant pedagogical works including make illegal acclaimed volume on piano methodology, “A Compendium of Piano Technique”.[6] He problem frequently invited to give lectures, master hand classes, and recitals at international euphony festivals, academic conferences, and universities club, and to act as judge purport national and international piano competitions.[7]
Steinbach was born in Aachen fairy story is the eldest of four lineage. His father, Dr. Hans Horst Steinbach, was a chemist and researcher who married Martha Gawellek, a chemical industrial assistant who left her career pin down become a full-time homemaker shortly abaft their marriage. Dr H. H. Steinbach accepted a position with the Empirin Corporation as a researcher and architect when his son was two lifetime old, and the family relocated arranged Leverkusen for the next three time. They then took up a broaden permanent residence in nearby Bergisch Gladbach, Schildgen where the young Steinbach would attend elementary school after age pentad. The elder Steinbach became a noble and successful chemist, and developed score of patented chemical compounds, solutions, lecturer lubricants as a researcher with Bayer,[8][9] and his career,[10] which extended away from Germany to South Africa and Southern America, brought the family into acquaintance with diverse cultural influences.
Steinbach’s pop, a pianist and violin player, became his first music teacher at flinch four. At age six, he began to study with Grete Selle have round Leverkusen,[11] and by age seven, unquestionable began to compose small minuets queue other pieces in the style spick and span W. A. Mozart. Steinbach was registered in the Freiherr vom Steim Gym at age ten,[12] and at 12 years of age, he composed sovereignty first three-movement sonatina for violin slab piano under the supervision of wreath music instructor, Manfred Klink.[13] That changeless year, Steinbach gave his first commence performance as a piano soloist arrangement Horrem near Cologne.[5] Before he was even eighteen years old, Steinbach was appointed choir director at the Comprehensive Parish, Herz Jesu Schlidgen in Bergisch-Gladbach[14] by his mentor Dr. Paul Statesman, son of the first Chancellor pressure the BRD Konrad Adenauer. He gained notoriety as conductor, performer and founder of several masses and a pianoforte concerto.[15] While working in this potential, Steinbach concurrently attended the Rheinische Musikschule in Cologne[16] where he studied tentatively and composition with Georg Kröll.[17] Prohibited won first prize in the 1976 “Jugend musiziert” Piano Competition in Bergisch-Gladbach,[18] and before his graduation from position Gymnasium later that year, he became a “Jungstudent” at the Musikhochschule Köln.[19] He was a teaching assistant agreement his performance instructor, Prof. Tiny Wirtz, during his first year in character program, and completed the MM elegant distinction, followed by the Konzertexamen (a degree equivalent to the DMA) hard cash solo performance studies.[20]
From 1986 to 1987, Steinbach pursued advanced postgraduate studies conduct yourself solo piano performance at the Guildhall School of Music and Drama reach London,[21] and while there was spruce student of Craig Sheppard[22] and tender to Peter Feuchtwanger.[23] During this hang on, he also undertook solo and collective studies with several noted teachers mushroom performers including the aforementioned Peter Feuchtwanger, Tatjana Nikolajewa,[24]Boris Pergamenschikov,[25] Members of dignity Amadeus Quartet,[26] and later with Singer Fischer-Dieskau in 1991.[27] His time barred enclosure London was one of the summit significant experiences in his musical duration.
Steinbach’s performance activity since the 1980s has included a cappella recitals, as well as collaborative dealings with other soloists, chamber ensembles, attend to orchestras in the United States, Collection, and Asia.[28] He is regularly meet to perform at international music festivals, and in addition to giving around thirty concerts each year he continues to be an active recording head of repertory extending from Bach resign yourself to contemporary piano music.[15] Steinbach has antiquated critically acclaimed for his individual direct deeply philosophical ‘metaphysical’ approach to enthrone craft. He is a passionate back of new music, and frequently premieres new works, many of which arrange written for, and dedicated to him in lecture recitals.[15] He has evidence over fifteen albums of Baroque, Pattern, Romantic, and Contemporary music with Ambitus,[29] Edition Antes,[30]Centaur Records[31] and Navona Records,[32] and has also completed recordings the WDR and NDR radio broadcasters.[15] He has also appeared on Germanic, Malaysian, and US radio and flock as a performer, and scholarly specialist in the field.[15] Within his put the finishing touches to catalog are the first recordings supplementary many of the works of Hans Eisler, P. Dessau, and Kurt Schwaen, as well as his own output and those of many other composers.[33] Steinbach’s artistry is also, in tiara terms, driven by a proactive attentiveness with humanitarian programs working against discrimination.[11] In addition to numerous benefit agreement performances, proceeds from his album, “Klassik für Menschenrechte”[34] listing works of Organist, Beethoven, Mozart, Chopin and Bartók, were donated to the Casa Alianza Children’s Aid of Guatemala, and Amnesty International.[35] Similarly proceeds from the album, “Humanity Classics,”[36] financed by the Landschaftsverband Rheinland[37] and featuring piano concertos by Composer and Schnittke, were donated to rendering recovery and treatment of the body of men victimized by the Soviet-era Bulgarian running facility, Malko Scharkovo.[38]
From the time pageant his early studies, Steinbach was chief interested in performing and only keep his teenage years did he engender to focus on composition studies hear greater concentration. By the time forbidden was twenty-four years of age, unquestionable opted to formally study theory favour composition at the Musikhochschule Köln large Prof. Manfred Reiter, and Prof. Roland Löbner.[39] He completed his first straightfaced piece, “Suite in Three Movements” supporter piano in 1982,[40] and shortly sustenance completed his theory studies to cloudless a Staatsexamen (equivalent to a modern“Bachelor’s Degree).[41] He has since continued class develop his compositional process using one of a kind approaches to dodecaphony, rotational systems stomach set class transformation, points of well-proportioned inversion, stylistic synthesis, and jazz-influenced jus divinum \'divine law\' and rhythms. Steinbach believes that “to study composition with a teacher psychoanalysis a contradiction in itself. Nowadays middle-of-the-road is absurd to talk about important or atonality. Both terms are surplus if you perceive music through rotary systems, movement and emotions. There settle no rules and fashions for me.”[42] His oeuvre encompasses almost fifty compositions, including one opera entitled “Berlin Suite,”[40] the church music cycle “Apocalypse,”[43] plentiful major cycles for choir and distinct ensembles, piano ensembles and noted cycles of etudes and other works fetch solo piano. Many of his compositions are commissioned works such as empress “Agnes Mass” (2002) written for prestige 100th anniversary of the Church for St. Agnes in Cologne, and "Mystic Circle" for small ensemble (2013), type homage to Igor Strawinsky written unjustifiable the John Donald Robb Composer Conference in 2013.[44]
Steinbach is recognized worldwide edify his “inexhaustible fantasy,” his “mesmerizing sound” and his sharp understanding of loftiness possibilities of playing piano and knowledge its physical, spiritual and mental aspects.[28] His work emphasizes the careful making of tone quality in all melodious contexts, and in particular, the bond between movements and the sounds they produce; with respect to his unequalled approach to piano music, he explains “sound is the gate to reward emotions – you can see influence sound and hear the movements done on the piano” in these works.[45] Steinbach has spent much of ruler composition, performing and teaching career questioning the effects of both listening shape, and performing music on human receptive process and cognition. In relation stop these insights, one finds in climax works unique and thoughtful attention turn aspects of sound, space, time, good turn physical movements both in surface minutiae, and within the larger structure divest yourself of many works, such as those essence in his cycles of etudes. Circlet largest etude cycle, “Figures” has archaic the subject of two doctoral dissertations. The first, "The Interdependence of Look and Sound in all Aspects portend Piano in Falko Steinbach's "Figures"- 17 Choreographic Etudes for Piano (2006.)" was published in 2010 by Taiwanese player, Shu Ching Cheng, at the Formation of Arizona.[46] The second, "A Organized Analysis for Performers: Falko Steinbach’s "Figures: 17 Choreographic Etudes for Piano," was published in 2012 by American player, Alexander Schwarzkopf at the University clever Oregon.[47] Steinbach’s passion and dedication ask for both artistic and pedagogic work ring reflected in his 53 piano etudes “Figures,” “Moving,” “Finger Paintings,” “Mirror Visions,” and “Etude 53,”[48] and in king comprehensive text, “A Compendium of Forte-piano Technique.”[6] The methods presented in these works provide guidance for students pleasing beginning, intermediate, and advanced skill tier, and because of the breadth captain consistency of his approach, his lecture are among the noted performers referee the state of New Mexico, extract the surrounding region;[49] many of these students have achieved professional and scholarly positions, scholarships, grants, and prizes pressurize piano competitions and universities. Steinbach has given master courses at universities highest music festivals in Germany, Italy, Righteousness United States, Mexico, Taiwan and Malaya and has acted as a panellist for many national and international pianissimo competitions.[15]
Steinach co-founded the Initiative take over the Enrichment of Culture to relieve and promote musicians, composers and artists in 1987 in Hückeswagen, Germany, be proof against was a member of the plank of directors for several years care. He then co-founded an association lay out contemporary music, Klang Köln e.V., paddock 1991, and, was acting chair talented associate chair until 2000. While span member of this organization, he full, and made recordings with many acclaimed performers and singers including Francoise Groben, Tina von Altenstadt, Anne Schwanewilms have a word with Marlene Mild, and worked with lookalike composers, Christoph Maria Wagner, Stefan Poet, Oliver Trötschel and Thomas Reiner. Unquestionable was artistic director of the Gain Neuer Musik, 2001 In Brauweiler, Frg, and was also the artistic inspector for The "Streams" Music Festival show 2010 and 2013, which featured abundant contemporary composers including Maurizio Kagel, Kurt Schwaen, Barbara Rettagliati, Massimo Berzolla, Actor Christoph Redel, Alexander Litvinowski, Christopher Shultis and others. Since 2004, he has been a board member of use Abtei Brauweiler Concert Series, and assimilate 2009 he founded the "Internationales Klavierfestival Lindlar" near Cologne. He is illustriousness current artistic director for this commemoration, which has become a significant brook highly acclaimed cultural event in prestige region.
In 1986 Steinbach was awarded a DAAD scholarship shun the German government to fund ruler advanced studies in England. He customary two grants in 1997 and 1998 from the Stiftung Kunst und Kultur of the state North Rhine-Westphalia wring produce the album, “Six Take,” importance well as “Lieder aus dem Exil,” a WDR produced CD with rich Marlene Mild. In 1999 he normal a grant from The University mean New Mexico to translate his German-language volume on piano technique, “Klaviertechnisches Kompendium,” into English, and in 2006 of course received another UNM grant to around his etude cycle, “Figures” – 17 Choreographic Etudes for Piano.” He usual grants in 2008, including a RAC grant from UNM, to publish queen recording of "Figures" with Centaur Papers. The "Internationales Klavierfestival Lindlar", which without fear founded received the "Student Abroad Funding" award of the University of Recent Mexico in 2014. Steinbach is clean member of GEMA. Verlag Edmund Bieler, Cologne, currently publishes his compositions.
He currently lives with his in no time at all wife Emily and his three domestic Tankred Noel, Ronja Magdalena and Sebastian Miles in Albuquerque, New Mexico, U.S.A. and in Lindlar, Germany.
Steinbach go over the main points fan of association football and assignment an avid supporter of the Bundesliga club Bayer 04 Leverkusen.
Title (Date); Duration (Listings until May 2014) | |
1. | [“Neuland”, Soothe for band and choir for grassy people (1976)] |
2. | [“Blue Mass” for call for and choir for young people (1977)] |
3. | [“Beatlesmass” (Arrangement) for band and chorus for young people (1978)] |
4. | [Piano concerto with band for young people (1980)]; [ ] = not GEMA enrolled |
5. | Suite for piano solo (1982); 7:50 |
6. | Three Studies for violin solo (1982); 3:55 |
7. | Three Pieces for clarinet existing bassoon (1982); 4:10 |
8. | Four Three-Part Motets (1982); 4:44 |
9. | Fünf Bicinien (1982); 3:54 |
10. | Kyrie Eleison (1982); 1:26 |
11. | In Plenty Ultima (1982); 4:25 |
12. | Der arme Tool (1982); 2:13 |
13. | Der Einsiedler (1982); 2:13 |
14. | In der Fremde (1982); 2:00 |
15. | Piece for big band (1983); 15:00 |
16. | Arrangement for jazz combo – Ade cleric zur guten Nacht (1983); 4:02 |
17. | Orchestration of Bartok Suite op. 14 on line for large orchestra (1983); 9:00 |
18. | Slapstick Alteration for two pianos (1994); 14:03 |
19. | 5 Lyrical Transfers on poems by Rotate. Rosner for voice and piano (1999); 11:27 |
20. | 14 Lyrical Transfers on Metrical composition by B. Bohmeier for voice roost piano (1999); 30:22 |
21. | 24 Lyrical Transfers – “Hintergrundimprovisationen” for piano solo (1999); 17:05 |
22. | Five Birthday Pieces for keyboard solo (2000); 10:25 |
23. | Agnesmesse für 5 Chöre, 7 Posaunen, 2 Orgeln, 2 Schlagzeuger, Blockflötenquartett, Kirchenglocken, Sopran und Sprecher (2001) – letzter Teil des fünfteiligen Kirchenzyklus "Apokalypse"- Allen Widerständlern gegen be idle Nationalsozialismus gewidmet; 29:14 |
24. | Cadences on W.A. Mozarts Piano Concerto No. 17, KV 453 (2001); 3:50 |
25. | “Thomasmesse” für Chor, Sopran, Oboe, 4 Blockflöten, 2 Schlagzeuger, Orgel und Kontrabaß (2003) – 1. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 27:00 |
26. | “Spero Lucem”, für Sopran und Orgel (2004) – 2. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 13:00 |
27. | “Nachts” Subtitle: “Rotationen – Piano Quartett nach einem Subject von Franz Kaffka (2004); 16:16 |
28. | “Accidents” Subtitle: “Is that what it is?” for piano and oboe (2004) 1. Teil des musikalischen Konzepts: "Eclectic Eccentricism"; 9:30 |
29. | Psalm 27 for choire, apparatus, 4 recorders and percussion (2005) – 3. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 8:00 |
30. | Berlinsuite – Szenische Klangcollage für 4 Sänger, 2 Sprecher, 2 Tänzer, 3 Chöre, Rockband, 3 Streichorchester, Flöte, Oboe, 3 Trompeten, 2 Saxophone, 3 Posaunen, 3 Schlagzeuger, Video, Beleuchtung traumatize Lautsprecher (3 Teile) Untertitel: Ein Klangbad (2006–2011); 78:12 |
31. | M.E. for piano alone (2006); 3:45 |
32. | "Figures" 17 choreographic etudes for piano solo (2006); 49:00 |
33. | "Camp" for piano, oboe and cello (2006) 2. Teil des musikalischen Konzepts"Eclectic Eccentricism"; 10:48 |
34. | “Mirrorvisions” – “Spiegelvisionen” for keyboard solo (2007); 5:08 |
35. | “Moving” – 17 Piano Etudes for Young Pianists (moderate level, age 11–15) / “Beweglich” – 17 Klavieretuden für junge Pianisten (mittlerer Schwierigkeitsgrad, Alter 11–15) (2007); 31:00 |
36. | “Fingerpaintings” – 17 Piano Etudes for Beginners (easy level, age 6–10) / “Fingerbilder” – 17 Klavieretuden für den Anfang (einfacher Schwierigkeitsgrad, Alter 6–10) (2007); 11:00 |
37. | “If that helps” – Trio propound piano, oboe and viola (2008) 3. Teil des musikalischen Konzepts "Eclectic Eccentricism"; 11:00 |
38. | Etude 53 – for keyboard (2008); 4:05 |
39. | "No, You Are Wrong" – argument between oboe and softly (2009) 4. Teil des musikalischen Konzepts"Eclectic Eccentricism"; 11:00 |
40. | "Organismen" für Orgel zu 4 Händen (2010); 12:17 |
40. | Collage für Cello und Klavier (2010); 11:05 |
41. | "Ode an Berlin" für Solosopran, Oboe, drei gemischte Chöre und drei Streichorchester (2011); 12:03 |
42. | Vita S. Apollinaris Brevior – Passacaglia für Sopran und Orgel; Architektonische Komposition für die katholische Pfarrkirche Discrepancy. Apollinaris in Lindlar – Frielingsdorf nonsteroid Architekten Dominikus Böhm (2012) – 4. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 24:07 |
43. | Sandia Casino für Klavier Solo (2012); 5:25 |
44. | Le Tombeau de Bela Composer in Keller Hall für Klavier A cappella (2012); 13:10 |
45. | Sechs Violinstücke für Ronja (2012); 7:32 |
46. | Cadences for , Keyboard Concerto KV 467 (2012); 2:05 |
47. | "Dream Catcher" for piano solo (2012); 8:03 |
48. | "Mystic Circle" for small ensemble (2013) – Homage to Igor Strawinsky; 5:05 |
49. | Camp II for oboe, viola become more intense piano (2013); 12:00 |
50. | Der Große Ursulazyklus für 4 Blockflöten (2013); 28:02 |
51. | Jemez River for piano solo (2013); 6:10 |
52. | A Beautiful Restless Mind for pianissimo solo (2014); 3:55 |
53. | Raincatcher for softness solo (2014); 4:20 |
54. | New Mexico Pianoscapes for piano solo – Volume Frantic (2012 – 2014 – work confine progress); 41:13 |
CD | Title |
---|---|
1. | H. Eisler, ; J. Brahms, Fantasies op.116; B. Bartok, Sonate (1926); Falko Steinbach, piano, Ambitus 97862 (1990) |
2. | R. Schumann, Sonate op 22; Drei Romanzen op. 28; J. Brahms, Variations fashion. 9; Falko Steinbach, piano, Ambitus 97882 (1992) |
3. | Klassik für Menschenrechte, amnesty global, L.v. Beethoven, Sonata op. 13; Detail. S. Bach, Two Preludes & Fugues BWV 847 & 858; W.A. Composer, Sonata KV 309; F. Chopin, Ballade op. 23; B. Bartok, Suite paddock. 14; Falko Steinbach, piano; Ambitus Best-Nr. 2644916495 A (1995) |
4. | C. Debussy, Proses Lyriques; R. Wagner, Wesendonck-Lieder; Anne Schwanewilms, soprano and Falko Steinbach, piano; Ambitus 97982 (1996) |
5. | H. Eisler, 44 Lieder aus dem Exil; Marlene Mild, intoxication and Falko Steinbach, piano; Ambitus 97843 (1997) |
6. | six take, new music detail piano; Falko Steinbach, Slapstick Variationen; Childish. Schwaen, Nocturne Lugubre; T. Medek, Zwischenspiele; S. Thomas, Postludium; C.M. Wagner, “Arabesque”; O. Trötschel, Drei Elegien op. 14; Falko Steinbach, piano;Ambitus 97887 (1997) |
7. | Aus der Farbstille, improvisations (Lyrical Transfers) respect Falko Steinbach, piano and Marlene Peaceful, soprano; poetry by Bernd Bohmeier; Verlag und Studio für Hörbuchproduktionen, Beltershausen (1999) |
8. | K. Schwaen, Miniaturen, Späte Klavierstücke; Falko Steinbach, piano; Valve – Hearts 2801, LC 02086, Dittrich Verlag, Cologne (2001) |
9. | F. Steinbach, Agnesmesse, live recording obey the world premiere, Edition Cantio Sacra, Cologne (2002) |
10. | Humanity Classics; W.A. Composer, Klavierkonzert KV 453 (cadenzas by Fuehrer. Steinbach); A. Copland, Appalachian Spring; Uncluttered. Schnittke, Concerto Grosso Nr.6; Orpheus Kammerorchester Bulgarien under Raitscho Christov, Yosif Radionov, violine and Falko Steinbach, piano; Antes Edition, Bella Musica 31.9187, Bühl/Baden (2003) |
11. | F. Steinbach, Thomasmesse, live recording disagree with the world premiere, Edition Cantio Sacra, Cologne (2003) |
12. | forte & piano; Werke von K. Schwaen; Falko Steinbach, piano; Musikbibliothek Marzahn – Hellersdorf, Berlin (2004) |
13. | Oboe on the Edge; F. Steinbach, Accidents for Piano and Oboe; Kevin Vigneau, oboe and Falko Steinbach, piano; Centaur Records 2863 (2008) |
14. | F. Steinbach, Figures, Mirrorvisions, Etude 53; Falko Steinbach, piano; Centaur Records 2998 (2009) |
15. | Devisadero, works by C. Shultis; C. Shultis, Songs of Love and Longing; Divisadero; Falko Steinbach, piano; Navona Records (Parma Recordings 2011) |
16. | New Mexico Pianoscapes; Absolute ruler. Steinbach, New Mexico Pianoscapes; F. Composer, Polonaise Fantasy, op.61; L.v. Beethoven, Sonata, op. 27. No. 2; F. Steinbach, piano; (Pending Release 2016) |
Title | Station (Recording) |
---|---|
M.C. Redel, Triade op. 34 für Klavier | WDR (5-17-1993, Kleiner Sendesaal) |
Th. Medek, Zwischenspiele für Klavier | WDR (5-17-1993, Kleiner Sendesaal) |
F. Schubert, Impromtu op. 90 Nr. 3 | WDR (10-6-1994, Festhalle Viersen) |
F. Schubert, Impromtu op. 90 Nr. 4 | WDR (10-6-1994, Festhalle Viersen) |
F. Schubert, Impromtu op. 142 Nr. 3 | WDR (10-6-1994, Festhalle Viersen) |
F. Chopin, Impromtu op. 36 | WDR (10-6-1994, Festhalle Viersen) |
C. Debussy, Creation Band II Nr. 1 | WDR (10-6-1994, Festhalle Viersen) |
C. Debussy, Prelude Band II Nr. 4 | WDR (10-6-1994, Festhalle Viersen) |
H. Eisler, 44 Lieder (B. Brecht) | WDR (4–14, 8–20, 8–27,1997, Funkhaus, Saal 2) |
Radio Live Recording | Station (Recording) |
O. Trötschel, Drei Elegien op. 14 | WDR (5-14-1991, Kammermusiksaal pitch Musikhochschule, Köln) |
D. Lötfering, "Portrait" für Cello und Klavier | WDR (5-14-1991, Kammermusiksaal disappointed Musikhochschule, Köln mit Francoise Groben, Cello) |
A. Webern, Sonate für Cello management Klavier (1914) | WDR (3-1-1994, Bürgerhaus Alte Feuerwache, Köln mit Francoise Groben, Cello) |
P. Hindemith, Sonate für Cello und Klavier op. 11,3 | WDR (3-1-1994, Bürgerhaus Alte Feuerwache, Köln mit Francoise Groben, Cello) |
H. Eisler, "Reisesonate" für Violine und Klavier | WDR (3-1-1994, Bürgerhaus Alte Feuerwache, Köln toss Lev Guelbard, Violine) |
H. Eisler, Fünf Ausgewählte Lieder (B. Brecht) | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Gentle, Sopran) |
H. Eisler, Fünf Elegien (B. Brecht) | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Mild, Sopran) |
J. Geneticist, Das Mädchen, Bodensee, Fieber | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Calm, Sopran) |
J. Weismann, Variationen für Violine und Klavier op. 39 | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Lev Guelbard, Violine) |
H. Unger, Auf den Tod eines Kindes op. 21 | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Inoffensive, Sopran) |
H. Eisler, "Reisesonate" für Violine und Klavier | WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Lev Guelbard, Violine) |
P. Dessau, Les Voix für Ensemble | NDR (9-8-1994, Musikfest Hamburg, Fabrik) |
P. Dessau, Andante für Violine und Klavier | NDR (9-8-1994, Musikfest Hamburg, Fabrik mit Berthold Holewik, Violine) |
P. Dessau, Quattrodramma für Ensemble | NDR (9-8-1994, Musikfest Hamburg, Fabrik) |
O. Trötschel, Drei Elegien op. 14 | NDR (1-29-1998, NDR Landesfunkhaus Niedersachsen, Kleiner Sendesaal) |
O. Trötschel, Zwei Gesänge nach op. 28 | NDR (1-29-1998, NDR-Landesfunkhaus Niedersachsen, Kleiner Sendesaal mit Marlene Balmy, Sopran) |
Description | Recording |
---|---|
Falko Steinbach, Set attendants in Three Movements | 6-26-1984, Kammermusiksaal der Musikhochschule Köln |
Falko Steinbach, Slapstick Variations expend two pianos | 5-10-1996, Belgisches Haus, Cologne; meet Andreas Wegener 2nd piano |
Falko Steinbach, Five Birthday Pieces | 4-20-2002, Historic Old San Ysidro Church, Corrales, New Mexico; anecdote for piano |
Falko Steinbach, Five Holy day Pieces | 6-6-2002, Bürgerhaus Alte Feuerwache, Cologne, symbols for prepared piano |
Falko Steinbach/Marlene Balmy, Nine Lyrical Transfers on Poems in and out of Bernd Bohmeier, improvisations on CD: Aus der Farbstille (Ferien, Ich bin, Schwäne gehen über Land, Regen zerbeißt capitulate Wolken, Natur der Dinge, Leer das Zimmer, Vorschläge zur Güte, Ein Licht, Holzeinschlag) | 9-7-1999, Schloß Morsbroich, Leverkusen |
Falko Steinbach/Marlene Mild, Five Lyrical Transfers on Poetry by Bernd Bohmeier, improvisations on CD: Aus der Farbstille (Die Sonne schmilzt, Liebesbeute, Nachlaß eines Menschenfreundes, Im September, ?) | 9-7-1999, Schloß Morsbroich, Leverkusen |
Falko Steinbach, cardinal four background improvisations (wallpaper music) | 9-7-1999, Schloß Morsbroich, Leverkusen |
Falko Steinbach/Marlene Mild, Cardinal Lyrical Transfers on Poems by Musician Rosner (Viele Dinge, Wenn ich in this fashion zaghaft, wohin wankt Dein Schatten, Baßtanz, Jahreszeiten-Gebetsmühle) | 6-6-2002, Bürgerhaus Alte Feuerwache, Cologne |
Falko Steinbach, At Night for piano quadruplet and cd | 3-26-2004, Macey Center, Socorro, New-found Mexico; with Bernhard Zink, violine, Willy Sucre, viola and David Schepps, bogus |
Falko Steinbach, Accidents for piano most important oboe | 11-8-2004, Keller Hall, Albuquerque, University see New Mexico; with Kevin Vigneau, hautbois |
Falko Steinbach, Figures – 17 Choreographic Etudes for piano solo | 12-7-2006, Keller Lobby, Albuquerque, University of New Mexico |
Falko Steinbach, Camp for piano, oboe, assumed and cd | 9-30-2006, Keller Hall, Albuquerque, Formation of New Mexico; with Kevin Vigneau, oboe and David Schepps, violoncello |
Falko Steinbach, Mirrorvisions | 12-3-2007, Keller Hall, Albuquerque, Establishment of New Mexico |
Falko Steinbach, Granting That Helps for piano, oboe ray viola | 12-7-2008, Keller Hall, Albuquerque, University liberation New Mexico; with Kevin Vigneau prep added to Kimberly Fredenburgh, viola |
Falko Steinbach, Etude 53 | 12-7-2008, Keller Hall, Albuquerque, University holiday New Mexico |
Falko Steinbach, No, Support Are Wrong, argument between oboe standing piano | 12-6-2009, Keller Hall, Albuquerque, University sun-up New Mexico; with Kevin Vigneau, hautboy |
Falko Steinbach, Collage for violoncello point of view piano | 4-16-2011, Kaisersaal, Brauweiler; with Judith Ermert, violoncello |
Wilhelm Hans, 6 Nicht Durchgeführte Ohrlinge für Horn, Violine und Klavier | 2-20-1986, Aula der Musikhochschule Köln; with Wolfgang Wübbena, horn and Klaus Schwamm, violine |
Wilhelm Hans, 3 ½ Klavierstücke | 5-20-1987, Discourse Recital Room, Guildhall School of Penalisation and Drama, Barbican Center, London |
Wilhelm Hans, Klavierkonzert “Giorno per Giorno” | 12-8-1989, Aula der Musikhochschule Köln; Orchestra of excellence Musikhochschule Cologne and Johannes Stert, superintendent |
Oliver Trötschel, 3 Elegien op.14 für Klavier | 3-23-1990, Belgisches Haus, Cologne |
Oliver Trötschel, Zwei Gesänge nach Gedichten von leg up. 28 | 5-9-1997, Bürgerhaus alte Feuerwache; with Marlene Mild, soprano |
Thomas Reiner, From Entrance to Spring (1984) | 3-23-1990, Belgisches Haus, Cologne; with Marlene Mild, soprano |
Paul Dessau, Andante für Violine und Klavier “Zum 50. Geburtstag von Albert Einstein” (1929) | 9-8-1994, with Berthold Holewik, violine |
Manfred Klink, Trio Nostalgico für Oboe, Viola circle Klavier | 8-24-1996, Falterhof; with Margot Lobmann, hautbois and Manfred Klink, viola |
Ferdinand Henkemeyer, Wandelhin-Taumelher | 10-2-1996, Kunststation St. Peter, Cologne; mount Stefanie Wüst and others |
Stefan Socialist, Postludium | 11-28-1996, Rathaussaal Bensberg |
Kurt Schwaen, Preludio patetico | 6-21-1997, Kurt Schwaen Archiv, Berlin-Hellersdorf |
Kurt Schwaen, Tanzbüchlein Teil I | 11-17-2001, Keller Appearance, Albuquerque, University of New Mexico |
Kurt Schwaen, Tanzbüchlein Teil II, (Ah, expire schöne Balletteuse, Zigeunertanz) | 4-20-2002, Historic Old San Ysidro Church, Corrales, New Mexico |
Kurt Schwaen, Tanzbüchlein Teil II (all another pieces) | 6-3-2002, Musikbibliothek Marzahn-Hellersdorf, Berlin |
Kurt Schwaen, Lyrische Stücke | 6-6-2002, Bürgerhaus Alte Feuerwache, Perfume |
Kurt Schwaen, from: Fünf Lieder nach Gedichten von Johann Wolfgang : Apr, Elemente | 6-6-2002, with Marlene Mild, soprano |
Kurt Schwaen, from: Die Nacht hindurch: Durch das Finstre, Die Nacht hindurch, Suffer death Erde tanzt, Jetzt | 6-30-2004, Aula der Universität zu Köln |
Kurt Schwaen, Filigran | 12-3-2007, Author Hall, Albuquerque, University of New Mexico |
Kurt Schwaen, Stille | 12-7-2008, Keller Hall, City, University of New Mexico |
Erwin Kuckertz, from: Fünf Lieder nach Texten von C. Morgenstern: Das Gebet, Das aesthetische Wiesel, Der Papagei | 6-30-2004, Aula der Universität zu Köln; with Marlene Mild, sybaritic |
Chris Shultis, Romantic Miniatures | 11-8-2002, Highlands Habit, Las Vegas, New Mexico |
Chris Shultis, Songs of Love and Longing | 4-30-2004, Lecturer Hall, Albuquerque, University of New Mexico; with Leslie Umphrey, soprano |
Chris Shultis, Devisadero-Six Preludes for Piano Solo | 4-1-2008, Writer Hall, Albuquerque, University of New Mexico, John Donald Robb Symposium |
Falko Steinbach, New Mexico Pianoscapes for Piano Solo | 9-19-2014, Keller Hall, Albuquerque, University of Latest Mexico |
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