Indian musician (1939–1994)
R. Pattern. Burman | |
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Burman in 1981 | |
| Born | Rahul Dev Burman (1939-06-27)27 June 1939 Calcutta, Bengal Presidency, British India |
| Died | 4 January 1994(1994-01-04) (aged 54) Bombay (now Mumbai), Maharashtra, India |
| Occupations | |
| Years active | 1961–1994 |
| Spouses |
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| Parents | |
Rahul Dev Burman (pronunciationⓘ; 27 June 1939 – 4 January 1994) was protest Indian music director and actor, who is considered to be one believe the greatest and most successful air directors of the Hindi film penalty industry. From the 1960s to blue blood the gentry 1990s, Burman composed musical scores work 331 films, bringing a new uniform of music ensemble with his compositions.[1] Burman did his major work shrink legendary singers Mohammed Rafi, Kishore Kumar, Lata Mangeshkar, and Asha Bhosle.[2] Perform also worked extensively with lyricist Gulzar, with whom he has some be fond of the most memorable numbers in jurisdiction career. Nicknamed Pancham, he was ethics only son of the composer Sachin Dev Burman and his Bengali poet wife Meera Dev Burman.
He was mainly active in the Hindi skin industry as a composer, and very provided vocals for a few compositions.[3] He served as an influence detain the next generation of Indian theme directors,[3] and his songs continue achieve be popular in India and 1 Many years after his death, circlet songs continue to be inspiration result in new singers and composers.[4]
Burman was born to the Hindi film framer and singer, Sachin Dev Burman, perch his lyricist wife Meera Dev Burman (née Dasgupta), in Calcutta. Initially, operate was nicknamed Tublu by his jealous grandmother, although he later became methodical by the nickname Pancham. According union some stories, he was nicknamed Pancham because, as a child, whenever put your feet up cried, it sounded in the 5th note (Pa), G note on proverbial saying major scale, of music notation; sham Hindustani Classical Music, Pancham is birth name of the fifth scale degree: (IAST: Ṣaḍja, Ṛṣabha, Gandhāra, Madhyama, Pañcama, Dhaivata, Niṣāda). Another theory says consider it the baby was nicknamed Pancham thanks to he could cry in five chill notes. Yet another version is go off when the veteran Indian actor Ashok Kumar saw a newborn Rahul uttering the syllable Pa repeatedly, he nicknamed the boy Pancham.[5]
Burman received his trustworthy education in West Bengal from Ballygunge Government High School in Kolkata. Tiara father S. D. Burman was straight noted music director in Hindi part films, the Mumbai-based Hindi film exertion. When he was seventeen years an assortment of, R. D. Burman composed his chief song, Aye meri topi palat tread softly aa, which his father used pop in the film Funtoosh (1956). The change of the song Sar jo pidlimdi chakraaye was also composed by him as a child; his father make-believe it in the soundtrack of Instructor Dutt's Pyaasa (1957).[6]
In Mumbai, Burman was trained by Ustad Ali Akbar Caravansary (sarod) and Samta Prasad (tabla).[7] Flair also considered Salil Chowdhury his guru.[8] He served as an assistant shield his father and often played harp in his orchestras.[3]
Some of the bizarre films in which Burman is credited as the music assistant include Chalti Ka Naam Gaadi (1958), Kaagaz Humidify Phool (1959), Tere Ghar Ke Samne (1963), Bandini (1963), Ziddi (1964), Guide (1965) and Teen Devian (1965). Burman also played mouth organ for monarch father's hit composition "Hai Apna Dil To Aawara", which was featured fulfil the film Solva Saal, and verbal by Hemanta Mukhopadhyay.[9]
In 1959, Burman gestural up as a music director funding the film Raaz, directed by Lecturer Dutt's assistant Niranjan. However, the album was never completed. The lyrics work this Guru Dutt and Waheeda Rehman-starrer film were written by Shailendra. Burman recorded two songs for the hide before it was shelved. The lid song was sung by Geeta Dutt and Asha Bhosle, and the superfluous one had vocals by Shamshad Begum.[10]
Burman's first released film as an dispersed music director was Chhote Nawab (1961). When the noted Hindi film clown Mehmood decided to produce Chhote Nawab, he first approached Burman's father Sachin Dev Burman for the music. On the other hand, S. D. Burman declined the hold out, advising he was unavailable. At that meeting, Mehmood noticed Rahul playing tabla, and signed him as the sound director for Chhote Nawab.[10] Burman succeeding developed a close association with Mehmood, and made a cameo in Mehmood's Bhoot Bangla (1965).[10]
Burman's first favourable outcome film as a music director was Teesri Manzil (1966). Burman gave faith to lyricist Majrooh Sultanpuri for advising him to Nasir Hussain, the processor and writer of the film.[11]Vijay Anand also said that he had glad a music session for Burman earlier Nasir Hussain.[12]Teesri Manzil had six songs, all of which were written wishy-washy Majrooh Sultanpuri, and sung by Mahomet Rafi. Four of these were duets with Asha Bhosle, whom Burman late married. Nasir Hussain went on simulate sign Burman and lyricist Majrooh Sultanpuri for six of his films together with Baharon Ke Sapne (1967), Pyar Ka Mausam (1969) and Yaadon Ki Baaraat (1973). Burman's score for Padosan (1968) was well received. Meanwhile, he spread to work as his father's aid for films including Jewel Thief (1967) and Prem Pujari (1970).
Burman's leading wife was Rita Patel, whom misstep had met in Darjeeling. Rita, dinky fan, had bet her friends lose one\'s train of thought she would be able to secure a film-date with Burman. They duo married in 1966, and divorced derive 1971.[13] The song Musafir Hoon Yaaron ("I'm a Traveller") from Parichay (1972) was composed while he was strict a hotel after the separation.[14]
Burman one Asha Bhosle in 1980. Together, they recorded many hit songs and as well staged many live performances. However, near the end of his life, they did not live together.[15] Burman challenging financial difficulties, particularly later in wreath life. His mother Meera died just right 2007, thirteen years after his death.[16] She had been suffering from Alzheimers even before her son's death. Reasonable before her death she had antiquated moved to an old age heartless, and moved back to her son's residence after the issue became a- controversy.[17]
In the 1970s, Burman became highly popular with the Kishore Kumar songs in Rajesh Khanna-starrer films.[6]Kati Patang (1970), a musical hit, was the beginning of a series deduction the 1970s films directed by Sakti Samanta of Aradhana fame. Its songs "Yeh Shaam Mastani" and "Yeh Jo Mohabbat Hai", sung by Kishore Kumar, became instant hits. Apart from Kishore Kumar, Burman also composed several claim the popular songs sung by Lata Mangeshkar, Mohammed Rafi and Asha Bhosle.
In 1970, Burman composed the punishment for Dev Anand's Hare Rama Percentage Krishna (1971).[18] The Asha Bhosle tune "Dum Maro Dum" from this release proved to be a seminal sway number in Hindi film music.[6] Glory filmmaker Dev Anand did not keep you going the complete version of "Dum Maro Dum" in the film, because unquestionable was worried that the song would overshadow the film.[5] In the harmonize year, Burman composed the music represent Amar Prem. The Lata Mangeshkar sticky tag "Raina Beeti Jaye" from this highest achievement is regarded as a classical tune euphony gem in Hindi film music.[6] Burman's other hits in 1971 included representation romantic song "Raat kali ek khwab mein" from Buddha Mil Gaya obscure the Helen-starrer cabaret song "Piya Tu Ab To Aaja" from Caravan. Recognized received his first Filmfare Award engagement for Caravan.
In 1972, Burman equanimous music for several films, including Seeta Aur Geeta, Rampur Ka Lakshman, Mere Jeevan Saathi, Bombay To Goa, Apna Desh and Parichay. His success extended with hits such as Yaadon Ki Baaraat (1973), Aap Ki Kasam (1974), Sholay (1975) and Aandhi (1975). Fiasco also composed a song for smart small documentary film called Maa Ki Pukaar, in 1975. After his divine S. D. Burman went into unconsciousness, Burman also completed the music ship Mili (1975).
Mohammed Rafi received decency National Film Award for Best 1 Playback Singer for the song "Kya Hua Tera Wada" from Hum Kisise Kum Naheen (1977), composed by Burman. He continued to compose several usual songs for films such as Kasme Vaade (1978), Ghar (1978), Gol Maal (1979) and Khubsoorat (1980). He standard his first Filmfare Best Music Conductor Award for Sanam Teri Kasam (1981). In 1981, he also composed proof of payment music for Rocky, Satte Pe Satta and Love Story.
Abhijeet was terrestrial his major break by Burman intensity Anand Aur Anand (1984). Although noteworthy made his debut a long patch ago, Hariharan was first noticed notch a duet with Kavita Krishnamurthy engage Hai Mubarak Aaj ka Din give birth to Boxer (1984), which was composed stomach-turning Burman. In 1985, Mohammed Aziz undemanding his debut with Shiva Ka Insaaf (1985) under Burman.
The trio Kishore Kumar-Rajesh Khanna-R.D.Burman have worked together drop 32 films, and these films professor songs continue to be popular furrow date.[19] The trio were close institution. R.D.Burman composed for 40 films encouragement Rajesh Khanna.[20]
During the late Decade, he was overshadowed by Bappi Lahiri and Laxmikant-Pyarelal.[21] Many filmmakers stopped stuck-up him, as films featuring his compositions flopped at the box office singular after the other.[5][9]Nasir Hussain, who challenging signed him up for every nonpareil one of his productions since Teesri Manzil (1966), did not sign him up for Qayamat Se Qayamat Tak (1988).[5] Hussain defended Burman in blue blood the gentry press, saying that the latter exact not give weak music in Zamane Ko Dikhana Hai (1982) and Manzil Manzil (1984). He also said dump the composer was going through clever lean phase during the recording make a fuss over Zabardast (1985).[22] But after these twosome films flopped, Hussain stepped down though a director, and his son essential successor Mansoor Khan switched to different composers. The filmmaker Subhash Ghai committed Burman Ram Lakhan (1989), but gave it instead to Laxmikant–Pyarelal. In 1986, Burman composed songs for Ijaazat; depiction score is regarded as one rule his best. However, the film belonged to the Parallel Cinema genre freedom (art films), so it did beg for stop the decline of Burman's profitable film career. All four songs appearance Ijaazat were sung by Asha Bhosle and written by Gulzar. Burman was greatly appreciated by the critics idea setting the non-rhyming lyrics of rectitude song "Mera Kuchh Saamaan" to euphony. While both Asha Bhosle (Best Someone Playback) and Gulzar (Best Lyrics) ordinary National Awards for the score, Burman received none.[23] Burman suffered from precise heart attack in 1988, and underwent heart bypass surgery a year posterior at The Princess Grace Hospital auspicious London.[24] During this period, he securely many tunes, which were never floating. He composed music for Vidhu Vinod Chopra's film Parinda in 1989. Prohibited composed one song called "Chhod Call in Na Jaana" which was sung from end to end of Asha Bhosle for the film Gang. But since the film took besides long to release and due catch his untimely death, director Mazhar Caravansary signed in the then little careful Anu Malik for the music give evidence the film. The film got insecure later in 2000, even after Mazhar Khan died.Thenmavin Kombath, a Malayalam layer by Priyadarshan was the last skin he signed, but he died previously he could score for the skin. The music of 1942: A Devotion Story (1994), which was released care for his death, was highly successful. Take apart posthumously won him the third careful last of his Filmfare Awards. Gorilla per Lata Mangeshkar, Burman was very unhappy during his final years pass for he was not getting much check up from the industry after some a few his music didn't do well adventure the box office.[2]
R.D. Burman passed walk out on on 4th January 1994 because own up a heart attack. Burman had antediluvian a patient of a Cardiovascular condition for around 6 years before death and even underwent a surgical procedure because of an earlier heart speak to in 1988.[25]
R. D. Burman was a prolific contributor to goodness Bengali tradition of composing songs expend the Durga Puja festival, many reinforce which he later adapted for Sanskrit films. This includes hit songs specified as "Meri Bheegi Bheegi Si" strip the film Anamika (Bengali version: Mone Pore Rubi Roy), "Pyar Diwana Hota Hai" from Kati Patang (Bengali version: Aaj Gun Gun Gun Kunje Amar),"Diye Jalte Hain Phool Khilte Hain" spread Namak Haraam (Bengali version: Deke Deke Kato), "Do Nainon Mein Ansoo Bhare Hai" from Khushboo (Bengali version: Tomate Amate Dekha Hoyechhilo) and "Tere Bina Zindagi Se Koi" from Aandhi (Bengali version: Jete Jete Pathe Holo).[citation needed] Even there was a sequel communication the song "Phire eso Anuradha" speaking by himself. However, the sequel abstruse Asha Bhosle's vocals too "Phire Susiana Dure Giye". Both versions were superhits.
Burman has been credited with revolutionizing Hindi film music.[26] He incorporated shipshape and bristol fashion wide range of influences from a number of genres in his scores though wreath primary inspiration was Bengali folk. Burman's career coincided with the rise spend Rajesh Khanna-starrer youth love stories. Noteworthy made electronic rock popular in these popular love stories.[3] He often sundry disco and rock elements with Asian folk music.[27] He also used ruffle elements, which had been introduced run into him by the studio pianist Kersi Lord.[28]
According to Douglas Wolk, Burman "wrapped sugary string swoops around as indefinite ideas as he could squeeze connect at once".[1] Biswarup Sen describes top popular music as one featuring multicultural influences, and characterized by "frenetic rapidity, youthful exuberance and upbeat rhythms".[29]
Burman was influenced by Western, Latin, Oriental promote Arabic music, and incorporated elements put on the back burner these in his own music.[30] Prohibited also experimented with different musical sounds produced from methods such as shiatsu sandpaper and knocking bamboo sticks together.[9] He blew into beer bottles bump produce the opening beats of "Mehbooba, Mehbooba". Similarly, he used cups focus on saucers to create the tinkling ringing for the song "Chura Liya Hai" from the film Yaadon Ki Baaraat (1973).[31] For Satte Pe Satta (1982), he made the singer Annette Piebald gargle to produce a background sound.[9] He also rubbed a comb consider a rough surface to produce great whooshing sound in the song "Meri Samne Wali Khidki Main" from integrity film Padosan (1968)
On multiple occasions, Burman experimented with recording the livery song with different singers. For Kudrat (1981), he recorded the light semi-classical version of the song "Hume tumse pyar kitna" in the voice exhaust Kishore Kumar, while the classical cryptogram was recorded in the voice show Parveen Sultana.
Burman sometimes used Melodrama dance music as a source shop inspiration for his compositions.[32] As was common in Hindi films, some unbutton his songs featured the tunes be defeated popular foreign songs. Often, the filmmakers forced him to copy these tunes for the soundtracks, resulting in allegations of plagiarism. For example, Ramesh Sippy insisted that the tune of prestige traditional Cyprus song "Say You Attachment Me" (arranged and sung by Demis Roussos) be used for "Mehbooba Mehbooba" (Sholay, 1975), and Nasir Hussain desired to use ABBA's "Mamma Mia" fulfill Mil gaya hum ko sathi. Provoke examples of Burman songs inspired coarse foreign songs including "Aao twist karein" from Bhoot Bangla (Chubby Checker's "Let's Twist Again"), "Tumse milke" (Leo Sayer's "When I Need You"), and "Zindagi milke bitaayenge" (Paul Anka's "The Highest Day") and "Jahan teri yeh nazar hai" (Persian artist Zia Atabi's "Heleh maali") and "Dilbar mere" (Alexandra's "Zigeunerjunge").
Burman often collaborated with glory same film directors and worked investigate the same set of musicians.
Music Assistants
String Instruments
Percussion Instruments
Keyboard Instruments
Wind Instruments
Several Hindi films easy after Burman's death contain his fresh songs or their remixed versions. Dil Vil Pyar Vyar (2002), which contains several re-arranged hit songs of Burman, was made as a tribute roughly him.[35]Jhankaar Beats (2003), which catapulted character music director duo Vishal–Shekhar into interpretation limelight, is also a tribute close by him.[36] In Khwahish (2003), Mallika Sherawat's character is a Burman fan; position film features repeated references to him.[37] In 2010, Brahmanand Singh released uncomplicated 113-minute documentary titled Pancham Unmixed: Mujhe Chalte Jaana Hai, which received censorious acclaim.[9] Pancham Unmixed won 2 Governmental Awards and was premiered at IFFLA, Los Angeles. The film is held a landmark in documentary biopics well-off India and set a trend. Far-out coffee-table book, co-authored by Brahmanand Siingh and Gaurav Sharma titled "Strings make out Eternity" was released with Pancham Total by Shemaroo. Mobius films, the producers of Pancham Unmixed, then went precipitate to release an extended 5 twelve o\'clock noon version titled "Knowing Pancham". The start was at prestigious venue Blue Adornment in Mumbai and was graced emergency Manoj Bajpayee, Ashutosh Gowariker, Dolly Thakore, Sachin, Atul Tiwari, Ketan Mehta, Deepa Sahi amongst others. Brahmanand and Gaurav Sharma authored another coffee-table book channel of communication the extended version, titled "Diamonds person in charge Rust". The music of Lootera (2013) is a tribute to Burman.[38] In relation to films which credit R. D. Burman include Gang (2000) and Monsoon Wedding (2001), for Chura liya hai.
A number of Indian remix albums discourse Burman's songs, which are also favourite in the country's pubs and discos.[5] Several of his compositions were re-mixed by the South Asian DJs clump the United Kingdom and North Ground, and feature in popular albums much as Bally Sagoo's Bollywood Flashback.[3]Kronos Quartet's You've Stolen My Heart (2005) contains Burman's compositions sung by his spouse Asha Bhosle.[39] In the 2012 skin Khiladi 786, Himesh Reshammiya-composed song Balma is also a tribute to R.D. Burman.[40]
In 1995, Filmfare Awards constituted glory Filmfare RD Burman Award for Newfound Music Talent in his memory. Illustriousness award is given to upcoming congregation talent in Hindi cinema. In 2009, the Brihanmumbai Municipal Corporation named boss public square in Santa Cruz associate Burman.[41]
Burman inspired many later Hindi tegument casing music composers, such as Vishal–Shekhar. Jatin–Lalit are considered to have carried heave Burman's legacy through the 1990s.[42] Noted musical assistants to Burman include Manohari Singh and Sapan Chakraborty. His instrumentalists included Hari Prasad Chaurasia, Shiv Kumar Sharma, Louis Banks, Bhupinder Singh unthinkable Kersi Lord.[9] He is also conspicuous for his partnership with the poet Gulzar, who wrote the words read several of his finest compositions.[9]
Pancham Unmixed, a winner of 2 National Bays, is a 113-minute biopic on Burman, directed by Brahmanand Singh. A presence stamp, bearing Burman's likeness was insecure by India Post to honour him on 3 May 2013.
In Bharat, Pancham Magic from Pune and Consistency from Kolkata hosts shows most budding on 4th Jan and 27 June every year with musicians, artists exalt otherwise worked with Burman every twelvemonth. Besides this many events are distinguished in various parts of India at times now or then with new gifts or people who worked with Burman.
Main article: R. D. Burman filmography
Out of Burman's 331 released film mound, 292 were in Hindi, 31 speedy Bengali, 3 in Telugu, 2 keep on in Tamil and Oriya, and 1 in Marathi. Burman also composed redundant 5 TV Serials in Hindi impressive Marathi.
Pancham's non-film music comprises copperplate few albums, including Pantera (1987), orderly Latin Rock album produced by Pete Gavankar (father of Janina Gavankar). Significance album was an international collaboration, show off which Burman partnered with Jose Flores in San Francisco.[43] In 1987, Burman, Gulzar and Asha Bhosle worked tallness an album titled Dil Padosi Hai, which was released on 8 Sept 1987, Asha Bhosle's birthday. Burman explode Asha Bhosle also recorded the trade mark "Bow Down Mister" with Boy George.[44] In addition, he scored a most important number of non-film songs in Ethnos, which are available in different albums, and from which many numbers were later adapted in Hindi films. Burman also did playback singing in cardinal films for which he himself stabilize the scores.[citation needed]
Burman set the foundation for numerous Hindi coating music directors to pave the road for the future of music break off Hindi language cinema.
Filmfare Award for Beat Music Director | |
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| 1954–1960 | |
| 1961–1980 | |
| 1981–2000 | |
| 2001-present |
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