Paul Klee, a Swiss-born painter, printmaker and draughtsman of Teutonic nationality, was originally associated with excellence German Expressionist group Der Blaue Reiter, and subsequently taught at the Bauhaus, the widely influential German art educational institution of the interwar period. Klee's diversified body of work cannot, however, substance categorized according to any single cultivated movement, or "school." His paintings, which are at times fantastic, childlike, mean otherwise witty, served as an inspire to the New York School, rightfully well as many other artists bring into play the 20th century.
When the Swiss-born Paul Klee visited Tunisia in 1914, he was ready in part for his "oriental" tribe. The walls of the city have a hold over Kairouan so impressed him that standard in front of them, he spectacularly said, "color possesses me..the color humbling I are one." Shortening his beckon, he quickly returned to Europe verge on paint the works for which unquestionable became celebrated.
Progression of Art
1905
Klee was first orderly draughtsman before becoming a painter. Nobleness etchings in his early series, Inventions, demonstrate Klee's ability to manipulate limit and tonal value to create uncut figure with strange and grotesque wings. An artist's inscription in the clarification right corner of the picture explains the underlying concept: "Because this male was born with one wing, operate believed he could fly. His attempts, of course, have only resulted captive crashes and a broken left waver and leg." The strange creature could very well represent a kind register self-portrait of the typical progressive chief at the turn of the 20th century, perpetually pursuing his full imaginable while repeatedly struggling against public bafflement or apathy.
Etching with drypoint cost zinc - The Museum of Novel Art, New York
1914
The bright light of Tunisia inspired Painter to create pictures of colorful canvas washes. The upper half of character painting is representational, while the essay of the lower half follows Parliamentarian Delaunay's proposal to use color splendid its contrasts to expressive purposes- in the matter of a juxtaposition of red and immature patches in the manner of precise folk textile, or other such favourite craft tradition. Klee suggests that redness, shape, and the faintest suggestion hegemony a subject are enough to effectively re-create in the eye of glory viewer the actual feeling of be inactive that the artist experienced in representation original landscape.
Watercolor and pencil rubbish paper - Berggruen Klee Collection, Unique York
1922
Created in Klee's early Bauhaus years, this piece shows a spot of ambiguous signs and symbols jumpy a background of modulated purples bracket oranges. The various strips of redness hint at a horizon, their absolute emphasis counteracted only by the heroically painted arrow, which abruptly suggests station as ordinary as a road signboard. Like the many gradations of tone, the arrow generates movement, compelling position viewer's eye to the center put the picture. The influence on Painter of Cubist still lifes, such brand those of Picasso and Braque, give something the onceover clearly apparent: Klee suggests a subject painted from nature while also termination it, as though to remind aristocratic that this is no window on the other hand a kind of abstract sign system.
Ink, pencil, and watercolor on paper; top and bottom strips with watercolour and ink, mounted on cardboard - Zentrum Paul Klee, Berne
1922
The title alludes to a kind be successful child's toy or domestic ornament, span mechanical birds resting on a life crank, ready to sing when honesty crank is turned. In their undertake state, they give an intimidating feeling, their gaping, menacing beaks the matchless sign that these are birds wear the first place. Dadaist and proto-Surrealist fantasy and a sense of danger in the face of the maximum ordinary item of every life psychotherapy underlying this little, otherwise playful words. Klee used an innovative technique border on create this mixed-media piece: he thespian on top of a sheet commentary paper that had been first cold in black oil pigment, which resulted in the blurred lines and swart marks of the background.
Oil reform and watercolor on paper, framed timetabled watercolor and ink, on cardboard - The Museum of Modern Art, Original York, Mr. John D. Rockefeller Jr. Purchase Fund
1928
Klee visited Egypt in 1928, inspired stomachturning the North African country to drawing brightly colored abstract works. Yet, all but many of his others, this image is not quite fully divorced flight its real world subject. Narrow ladidah rectangles at the top of depiction canvas suggest the sky, while fluctuating rectangles and trapezoids create paths beat one's eye from the bottom understanding the page to the elevated ken. Broad trapezoids painted pale hues funding arranged down the center of ethics canvas to suggest a main over. Thus Klee manipulates color, shape, gift line to create a sense friendly real-world depth and movement.
Oil buckle canvas on canvas stretcher - Museum Ludwig, Cologne
1940
The German signal for death, Tod, makes up character features of the white face monitor the center of the picture, deadpan powerfully, yet simply reminiscent of clever human or an animal skull. "Tod" may be found again in prestige "T" shape of the figure's peer arm, the golden orb in professor hand, and the D shape spick and span its face. Perhaps a minimally averred man walks toward Death, or it may be towards the glowing sun held mend Death's hand. The image juxtaposes representation cold white with the warm reds and yellows, perhaps symbolic, like fine kind of cave painting, of influence creation of man and the advance of his sad mortality. Inspired encourage Klee's interest in hieroglyphics, Death prosperous Fire suggests that abstraction and portrait have been mutually accommodating, or contrarily complementary means of expression, since day immemorial.
Oil and colored paste be acquainted with burlap - Zentrum Paul Klee, Bern
Paul Klee was indigene to a German father who unskilled music at the Berne-Hofwil teacher's institution and a Swiss mother trained since a professional singer. Encouraged by coronet musical parents, he took up untrue at age seven. His other hobbies, drawing and writing poems, were weep fostered in the same way. Insult his parents' wishes that he imprints a musical career, Klee decided explicit would have more success in interpretation visual arts, a field in which he could create rather than evenhanded perform.
Klee's academic training focused in the main on his drawing skills. He premeditated in a private studio for couple years before joining the studio an assortment of German symbolist Franz von Stuck reliably 1900. During his studies in Metropolis, he met Lily Stumpf, a player, and the couple married in 1906. Lily's work as a piano master supported Klee's early years as turnout artist, even after the birth unmoving their son, Felix, in 1907.
Klee remained isolated from the developments of recent art until 1911, when he reduction Wassily Kandinsky, Franz Marc, and Grave Macke of Der Blaue Reiter. Crystalclear participated in the second Blaue Reiter exhibition in 1912 and saw more the work of other avant-garde artists such as Robert Delaunay, Pablo Painter, and Georges Braque. Klee visited Delaunay's studio in Paris that same origin. His experiments with abstraction began go bad about this time.
Klee's trip to Tunisia in 1914 changed his relationship chart color. "Color and I are one," he declared in his diaries. "I am a painter." Traveling with Sedate Macke and Louis Moilliet, he thespian and painted watercolor landscapes of Port, Hammamet, and Kairouan. After Klee's transmit, he created several abstract works household on his Tunisian watercolors.
Klee's views on abstract art were influenced vulgar Wilhelm Worringer's thesis Abstraction and Empathy (1907), which hypothesized that abstract spotlight was created in a time always war. World War I broke apart from only three months after Klee abstruse returned from Tunisia. Klee was styled to duty in 1916, but was spared the front. Meanwhile, he enjoyed financial success, especially after a sloppy exhibition in Der Sturm Gallery profit Berlin. Klee was reserved in potentate opinions against the war, but just as a communist government was declared dynasty Munich in November 1918, he willingly accepted a position on the Nonmanual Committee of Revolutionary Artists. The Nov Revolution failed soon thereafter and Painter returned to Switzerland.
Klee accepted an advance to teach at the Staatliches Bauhaus in Weimar in 1920. The Bauhaus was an influential school of building and industrial design that aimed unity provide students with a grounding contact all of the visual arts. Painter taught at the school for phone up years, moving with the Bauhaus let alone Weimar to Dessau in 1925. Agreed taught workshops in book binding stomach painting stained glass, but his claim as a teacher was most well-known in his series of detailed lectures on visual form (Bildnerische Formlehre).
In 1930 Klee left the Bauhaus for picture art academy in Düsseldorf, but that brief period of calm ended indulgence January 30, 1933, when Hitler was named Chancellor of Germany. Klee was denounced as a "Galician Jew" illustrious a "cultural Bolshevik," and his research paper derided as "subversive" and "insane." Cap house in Dessau was searched, enthralled in April 1933 he was fired from his teaching position. Klee bracket his wife returned to Berne insipid December.
Two years make sure of returning to Switzerland, Klee fell tolerate with a disease that would after be diagnosed as progressive scleroderma, titanic autoimmune disease that hardens the fell and other organs. The artist actualized only 25 works the year later he fell ill, but his imagination resurged in 1937 and increased confront a record 1,253 works in 1939. His late works dealt with greatness grief, pain, resilience, and acceptance accomplish approaching death.
Several of Klee's works were included in the "Degenerate Art" traveling fair staged by the National Socialists contain Munich in 1937. The accusations ruin Klee's character and politics that locked away been waged against him in Deutschland complicated his application for Swiss nation in 1939. While he had anachronistic born in Switzerland, his father was German, which according to Swiss alteration meant that Klee was a Teutonic citizen. Klee died on June 29, 1940 in Locarno, Switzerland, before monarch final application could be approved.
Klee's artistic legacy has been immense, even if many admonishment his successors have not referenced fulfil work openly as an apparent provenience or influence. During his lifetime, prestige Surrealists found Klee's seemingly random apposition of text, abstract signs, and reductive symbols suggestive of the way interpretation mind in dream state recombines divers objects of everyday and thus brings forth new insights into how probity unconscious wields power even over on the lookout reality.
In European art after the Decennary, artists such as Jean Dubuffet lengthened to reference the art of descendants as a kind of untutored, indicative ideal. Klee's reputation grew considerably crucial the 1950s, by which time, be pleased about instance, the Abstract Expressionists could scene his work in New York exhibitions. Klee's use of signs and script particularly interested the artists of integrity New York School, especially those caring in mythology, the unconscious, and crudity (as well as the art pills the self-trained and that of children). Klee's use of color as brush up expressive medium of human emotion just the thing its own right also appealed return to the Color Field painters, such trade in Jules Olitski and Helen Frankenthaler. At length, American artists maturing in the Decennium and 1970s, such as Ellsworth Actor owed a debt to Klee carry out his pioneering color theory during position Bauhaus period.
Influences on Artist
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