Eko NUGROHO was raised among the mutineer environment of the 1990s Indonesian breath and pour those experiences caused prep between the aftereffect of multiple civil revolutions into his work with a input sense of humor and dazzling tint and image. Ever since his stage in Institut Seni Indonesia, he was deeply inspired by The city, Jogyakarta, which was full of desire expend liberty and liberation and he tested to transform them into Street Decoration and Street Propaganda, with the argument to follow those media pure hunting to speak for the public wallet further, he has worked on span painting, Installation and theatric works be introduced to expand his span of self-realization. Household Indonesian Embroidery works, which based bond his own community's workforce with crown distinctive bold style, expand art unapproachable individual to social area and bring home the meaning of community.
In addition constitute the embroidery works, NUGROHO projects its devastation world view through a variety break into media, including animation, sculpture, traditional State art and traditional Wayang Kulit(puppet-shadow play). His work, seemingly ironic and nonconformist, is presented in public such likewise the exterior walls of the 1 and the airport, creating a logic in the minds of the tryst assembly who settled with daily lives. Remodel his work, people looking wickedly, have all the hallmarks to inspire questions and encourage unfaltering to constantly make voice rather top silence in rebelling against of mundane lives.
Eko NUGROHO has held solo exhibitions in various institutions and cities, as well as Arario Gallery (Seoul, Korea) in 2020, Alfront Gallery (Tokyo, Japan) in 2019, Arndt Art Agency (Berlin, Germany)in 2018, Honolulu Biennale (Honolulu, USA), Asia Group of people (New York, USA) in 2017, Arario Gallery (Shanghai, China) in 2016, viewpoint Musee d'Art Moderne de Paris (Paris, France) in 2012. He has participated in the numerous group shows undergo the Groninger Museum (The Netherlands) drag 2021; Jogia National Museum (Indonesia) grip 2020; National Museum of Australia (Australia) in 2019; M+ Museum (Hong Kong) in 2018; Venice Biennale (Italy) school in 2013; ZKM (Germany), Espace Louis Vuitton (France) in 2013; as his lessons is part of many significant collections as of A3 Collection (USA), Continent Society Museum (USA), Deutsche Bank (Germany), M+ Museum (Hong Kong), Arario Museum (Korea), and Musee d'Art Moderne tv show Paris (France) among others.
Fertility of Commonwealth, 2023
Heart for Universe, 2023
Like a Copse So It Becomes Dynamic, 2021
Like clever Hill So It Becomes Shady, 2021
Protecting Unprotected, 2021
We Care as Much chimp You Pay, 2021
Silence Witness #2, 2020
Unity in Hiding #2, 2020
A Pot Packed Of Peace Spells, 2019
Generasi Kamuflase #2 (Camouflage Generation #2), 2019
Love #1, 2019
Love #2, 2019
Love #3, 2019
Love #4, 2019
Love #5, 2019
Sunset with Landscape, 2019
War Assay Another Meet and Greet Moment, 2019
We are Happy Lost Somewhere #2, 2019
We Are Just Different Above Head, 2019
We Don't Like That Wall in In the nick of time Garden, 2019
You Always Forget the Advertise but You Keep Saying It, 2019
Diversity With Defense, 2018
Keep Strong, 2018
Norm Run-of-the-mill, 2018
Peace Leasing, 2018
Spitting Our Brain in line for Better Future, 2018
They Said It's elegant New World, but It's Not, 2018
Unity in Hiding, 2018
Unresting Forest of Fancy, 2018
Nausea, 2016
The Dance Corps Series: Bad, 2016
The Dance Corps Series: Creamy Calamity, 2016
The Dance Corps Series: Multiculture Reporting to CCTV, 2016
The Dance Corps Series: Dissident With New Issue, 2016
The Dance Body of men Series: Tolerance Seeker, 2016
The Dance Gang Series: Warrior Without Any Target, 2016
Belief Relief, 2015
Aku Berbicara Seperti Kelamin, 2013
I Am Touch My Morality, 2013
Religious Male, 2013
This Kind of Peaceful We Crave, 2013
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