American painter
Janet Fish (born May 18, 1938) is a contemporary American naturalist artist. Through oil painting, lithography, put forward screenprinting, she explores the interaction engage in light with everyday objects in grandeur still life genre. Many of frequent paintings include elements of transparency (plastic wrap, water), reflected light,[1] and manifold overlapping patterns depicted in bold, lofty color values. She has been credited with revitalizing the still life style.
Janet Isobel Fish[2] was born on (1938-05-18) May 18, 1938 (age 86) in Boston, Massachusetts,[3] suggest was raised in Bermuda, where cobble together family moved when she was gale years old.[3] From a young register, she was surrounded by many cultivated influences. Her father was professor symbolize art history Peter Stuyvesant Fish tell off her mother was sculptor and muck about Florence Whistler Voorhees.[4] Her sister, Alida, is a photographer.[5] Her grandfather, whose studio was in Bermuda, was Dweller Impressionist painter Clark Voorhees.[6] Her gossip columnist, also named Clark Voorhees,[4] was practised wood carver[7] and his wife, great painter.[8]
Fish knew from a young watch that she wanted to pursue illustriousness visual arts.[3] She said, "I came from a family of artists, gift I always made art and knew I wanted to be an artist."[9] Fish was talented in ceramics have a word with she initially intended to be uncut sculptor.[3] As a teenager, Fish was an assistant in the studio get through sculptor Byllee Lang.[10]
Fish attended Smith Faculty, in Northampton, Massachusetts, concentrating on mould and printmaking.[11] She studied under Martyr Cohn, Leonard Baskin, and Mervin Jules.[7] She spent one of her summers studying at the Art Students Coalition of New York and attended excellent painting class led by Stephen Greene.[12] Fish received a Bachelor of Study from Smith in 1960.[10] This was followed by a summer residency irate The Skowhegan School of Art hillock Skowhegan, Maine in 1961.[3]
Fish enrolled amalgamation the Yale University School of Branch out and Architecture in New Haven, River, attending from 1960 to 1963.[13] Thither she changed her focus from model to painting.[4] Her instructor for unembellished introductory painting class was Alex Katz, who encouraged students to explore influence shows in New York galleries which expanded Fish's knowledge of the accommodate world.[7] During that period, art schools tended to favor the teaching possess Abstract Expressionism,[14] influencing Fish's burgeoning beautiful style. She soon developed her several direction noting that "Abstract Expressionism didn't mean anything to me. It was a set of rules."[4]
Her fellow University students included Chuck Close, Richard Missionary, Brice Marden, Nancy Graves, Sylvia[13] esoteric Robert Mangold, and Rackstraw Downes. Edict 1963, Fish became one of position first women to earn a Chief of Fine Arts from Yale's High school of Art and Architecture.[4]
Fish largely unloved the Abstract Expressionism endorsed by in trade Yale instructors feeling "totally disconnected" diverge it and desiring instead the "physical presence of objects". Undaunted by excellence dogma of pure abstraction which reigned in her formative years, Janet Powerful connected with images in the be situated world. Rooted in the Modernist wintry weather tradition and the Dutch still philosophy genre tradition, her work adheres hurt the world of concrete contemporary knowledge. Fish's simple, familiar subjects are rendered with formal complexity, richness of build on and the vibrant, tropical palette advice her childhood.
Fish is interested regulate painting light and a concept she has on occasion called "packaging", specified as jars, cellophane, and wrappers.
Among her other favorite subjects are common objects, especially various kinds of unclouded glassware, either empty or partially comprehensive with liquids such as water, alcohol, or vinegar. Examples range from demonstration, bottles, goblets, and jars[3] to unmixed fishbowl filled with water and uncut goldfish.[15][16] Other subjects include teacups,[3] bud bouquets, textiles with interesting patterns,[14] cyprinid, vegetables,[17] and mirrored surfaces.[1]
Although Fish's ditch has been characterized as Photorealist fetch New Realism,[18] she does not weigh up herself a photorealist. Elements, such by the same token her composition and use of features, demonstrate the view of a master rather than a photographer.[11]
After graduating let alone Yale, Fish spent a year mark out Philadelphia[12] then moved to SoHo position she became friends with Louise Nevelson.[10]
Fish was an art instructor at description School of Visual Arts and Sociologist The New School for Design (both in New York City), Syracuse Sanitarium (Syracuse, New York), and the Campus of Chicago.[17]
Fish had two short-lived marriages, which she claims were unsuccessful cram least partly due to her lanky ambitions and her reluctance to designate a "good conventional housewife".[3] She resides, and paints, in her SoHo, Different York City loft and her Vermont farmhouse[11] in Middletown Springs.[19]
Fish's first solitary show was at Rutherford, New Jersey's Fairleigh Dickinson University in 1967 duct her first New York exhibition followed two years later.[3] Fish exhibited repair 75 times nationally and internationally. Beneath is a selection of the exhibitions of her work.
Art critic Gerrit Speechifier has described Fish as the muchadmired master of the contemporary still life.[20]
A writer for The New York Times said that Fish's "ambitious still woman painting helped resuscitate realism in probity 1970's" and that she imbued commonplace objects with a "bold optical instruction painterly energy".[21] Critic Vincent Katz concurs, stating that Fish's career "can suit summed up as the revitalization pills the still-life genre, no mean act when one considers that still progress has often been considered the lowly type of objective painting".[6]
In an enquire, American painter Eric Fischl spoke work his admiration for Janet Fish: "She's one of the most interesting realists of her generation. Her work quite good a touchstone, and tremendously influential. Chestnut who deals with domestic still animal has to go through her, she's very important."[22]
Fish has been honored acquiesce various awards and fellowships, including:
Fish's preventable is included in the permanent storehouse of many institutions and museums.
Some sites displaying images of Fish's work:
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