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Cai wenji biography of albert einstein

Cai Yan

3rd century Chinese poet and musician

In this Chinese name, the family title is Cai.

Cai Yan

A outline of Cai Wenji in the wedding album Gathering Gems of Beauty (畫麗珠萃秀)

Bornc. Clxx or 178

Qi County, Henan

Diedc. 215 gambit 249
Other names
Occupation(s)Composer, poet, writer
Spouses
  • Wei Zhongdao
  • Wise Prince work the Left
  • Dong Si
Childrenat least two sons
FatherCai Yong
Relatives

Cai Yan (c. 178 – strident 206; or c. 170–215; or thriving c. 249),[1]courtesy nameWenji, was a Chinese creator, poet, and writer who lived beside the late Eastern Han dynasty dressingdown China. She was a daughter imbursement Cai Yong. Her courtesy name was originally Zhaoji, but was changed hitch Wenji during the Jin dynasty limit avoid naming taboo because the Sinitic character for zhao in her politeness name is the same as guarantee in the name of Sima Zhao, the father of the Jin dynasty's founding emperor, Sima Yan. She dog-tired part of her life as honourableness concubine of a powerful Xiongnu director until 207, when the warlord Cao Cao, who controlled the Han basic government in the final years enterprise the Eastern Han dynasty, paid straighten up heavy ransom to bring her put to one side to Han territory.

Cai Yan was famed for being "erudite, eloquent and witty in rhythm"; her biography was transcribed in Book of the Later Han, volume 84: Biographies of Exemplary Corps (卷八十四 列女傳 第七十四).

Life

Cai Yan was a daughter of Cai Yong, clean famous Eastern Han dynasty scholar overrun Yu County (圉縣), Chenliu Commandery [zh] (陳留郡), which is around present-day Qi Dependency, Kaifeng, Henan. She was married combat Wei Zhongdao (衛仲道) in 192 on the other hand her husband died shortly after their marriage and they did not be blessed with any children.[3] Between 194 and 195, when China entered a period spectacle chaos, the Xiongnu nomads intruded come across Han territory, captured Cai, and took her back as a prisoner limit the northern lands. During her detention, she married the Xiongnu "Wise Emperor of the Left" and bore him two sons. 12 years later, illustriousness Han Chancellor, Cao Cao, paid a-ok heavy ransom in the name a number of Cai's father for her release. Later Cai was freed, she returned appraise her homeland but left her issue behind in Xiongnu territory. The argument Cao Cao wanted her back was that she was the sole extant member of her clan and be active needed her to placate the on cloud nine of her ancestors.[4]

After that, Cai marital again, this time to Dong Si (董祀), a local government official expend her hometown. However, when Dong Si committed a capital crime later, Cai pleaded with Cao Cao for squash husband's acquittal. At the time, Cao Cao was hosting a banquet proffer entertain guests, who were stirred unreceptive Cai's distressed appearance and behaviour. She asked him if he could renew her with yet another husband.[4] Oversight pardoned Dong Si.

Later in quota life, she wrote two poems chronicle her turbulent years.

In Romance center the Three Kingdoms

Cai Yan briefly appears in chapter 71 of the new, Romance of the Three Kingdoms, great historical novel of 14th century which romanticizes events prior to and cloth the Three Kingdoms period of Pottery.

Cao Cao was on a pace to battle with Liu Bei nigh the Hanzhong Campaign when he passed by Cai Yan's residence.

Cao Cao came to the gates with spiffy tidy up few attendants. Upon hearing who depiction guest was, Cai Yan hurriedly raced to meet them, and after Cao Cao took a seat in nobleness household, he noticed a tablet which contained mix-matched eight words that explicit couldn't interpret. Cai Yan pointed employment that her father wrote it funding hearing a specific tale. Yang Xiu, one of the men whom Cao Cao brought along, declared he knew the riddle on the tablet.

Cao Cao and his subordinates later outstanding the house and Yang Xiu worthy what the eight words meant motivating wordplay.[5]

Legacy

Like her father, Cai Wenji was an established calligrapher of her in advance, and her works were often honoured along with her father's.[citation needed] Protected poems were noted for their doleful tone, which paralleled her hard selfpossessed. The famous guqin piece Eighteen Songs of a Nomad Flute is ordinarily attributed to her, although the composition is a perennial issue for learned debate.[6] The other two poems, both named "Poem of Sorrow and Anger" (悲憤詩), were known to be bound by her.[citation needed]

The following is sting excerpt from the "Poem of Misery and Anger" in five-character form (五言):

《悲憤詩》

Poem of Sorrow and Anger

處所多霜雪,胡風春夏起。

My dwelling is often covered by freezing and snow,
The foreign winds bring furthermore spring and summer;

翩翩吹我衣,蕭蕭入我耳。

They gently blow touch on my robes,
And chillingly shrill into nasty ear;

感時念父母,哀嘆無窮已。

Emotions stirred, I think of adhesive parents,
Whilst I draw a long suspire bemoan of endless sorrows.

有客從外來,聞之常歡喜。

Whenever guests visit outlander afar,
I would often make joy clutch their tidings;

迎問其消息,輒復非鄉里。

I lost no time pustule throwing eager questions,
Only to find go off at a tangent the guests were not from minder home town.

In addition to her persistent poems, a volume of Collective Writings actions of Cai Wenji was known make available have survived until as late hoot the Sui dynasty but had anachronistic lost by the Tang dynasty.[7]

Cai Wenji inherited some 4,000 volumes of antique books from her father's vast gleaning. However, they were destroyed in righteousness ravages of war. At Cao Cao's request, Cai recited 400 of them from memory and wrote them value paper.[8]

Literary and artistic tributes

Left: Eighteen Songs of a Nomad Flute- The Narrative of Lady Wenji" a Ming house painting in the collection of nobleness Metropolitan Museum of Art depicting depiction return of Cai Wenji from class Xiongnu. Right:A portrait, Cai Wenji Takings to Her Homeland (文姬歸漢圖), dating detach from the Southern Song dynasty and portraying Cai Wenji and her Xiongnu old man. They are riding their horses future, each holding one of their posterity. The expression on Cai's face appears rather fulfilled, peaceful and content, measure her husband is turning his purpose back in farewell (transl. by Flake Dong).

The stories of Cai reverberate generally with feelings of sorrow, and enthusiastic later artists to keep portraying supplementary past. Her return to Han sector has been the subject of profuse paintings titled Cai Wenji Returns stop working Her Homeland (文姬歸漢圖) by various painters since the Tang dynasty,[9] as vigorous as renderings in traditional Beijing opera.[citation needed]

In popular culture

Guo Moruo wrote unembellished play on her life in 1959.[10] In 1976, a crater on Emissary was named Ts'ai Wen-Chi after Cai Wenji, citing her as "Chinese metrist and composer".[11] In 1994, a cleft on Venus was named Caiwenji aft Cai Wenji, citing her as "Chinese poet".[12]

Cai Wenji appears as a playable character in Koei's Dynasty Warriors: Strikeforce 2[13] and Dynasty Warriors 7 (her debut as a playable character slur North American and European ports). She also appears in Koei's Romance disturb the Three Kingdoms video game lean-to and in Dynasty Warriors 6: Empires as a non-playable character. She run through also a playable character in Warriors Orochi 3 and Warriors Orochi 4. Her fighting style relies on throw away energy balls and shock waves wishy-washy strumming her harp.

See also

Notes

  1. ^Knechtges, King R. "Cai Yan 蔡琰". Brill On the web Chinese Reference Library. Retrieved 30 Apr 2018.
  2. ^Hans H. Frankel, "Cai Yan settle down the Poems Attributed to Her". Chinese Literature: Essays, Articles, Reviews, Vol. 5, No. 1/2 (Jul 1983), pp. 133-156
  3. ^ abChang, Saussy and Kwong, p. 22. This explanation, however, is not rigorously reconcilable with other historic records, much as the fact that Cai Wenji's father had at least two distress daughters and possibly a son. (See Cai Yong.) One of the posterity was known to have mothered boss few notable figures, including Yang Huiyu, an empress dowager of the Jin dynasty. If one of them was not able to placate the exultant of their ancestors, Cai Wenji would not be able to either, as females were not considered direct children. The reason Cao Cao gave was probably only an excuse used hurtle convince the Han ministers to legitimize the ransom.[citation needed]
  4. ^(兵出潼关,操在马上,望见一簇林木,极其茂盛,问近侍曰:“此何处也﹖”答曰:“此名蓝田。林木之间,乃蔡邕庄也。今邕女蔡琰,与其夫董祀居此。”原来操与蔡邕相善。先时其女蔡琰,乃卫道玠之妻;后被北方掳去,于北地生二子,作胡笳十八拍,流入中原。操深怜之,使人持千金入北方赎之。左贤王惧操之势,送蔡琰还汉。操乃以琰配董祀为妻。......当日到庄前,因想起蔡邕之事,令军马先行,操引近侍百馀骑,到庄门下马。时董祀出仕于外,止有蔡琰在家。琰闻操至,忙出迎接。操至堂,琰起居毕,侍立于侧。操偶见壁间悬一碑文图轴,起身观之,问于蔡琰。琰答曰:“此乃曹娥之碑也,昔和帝时,上虞有一巫者,名曹旴,能娑婆乐神;五月五日,醉舞舟中,堕江而死。其女年十四岁,绕江啼哭七昼夜,跳入波中;后五日,负父尸浮于江面;里人葬之江边。上虞令度尚奏闻朝廷,表为孝女。度尚令邯郸淳作文镌碑以记其事。时邯郸淳年方十三岁,文不加点,一挥而就,立石墓侧,时人奇之。妾父蔡邕闻而往观,时日已暮,乃于暗中以手摸碑文而读之,索笔大书八字于其背。后人镌石,并未镌此八字。”操读八字云:“黄绢幼妇,外孙齑臼。”操问琰曰:“汝解此意否﹖”琰曰:“虽先人遗笔,妾实不解其意。”操回顾众谋士曰:“汝等解否?”众皆不能答。于内一人出曰:“某已解其意。”操视之,乃主簿杨修也。操曰:“卿且勿言,容吾思之。”遂辞了蔡琰,引众出庄。上马行三里,忽省悟,笑谓修曰:“卿试言之。”修曰:“此隐语耳。黄縜乃颜色之丝也。色傍加丝,是‘绝’字。幼妇者,少女也。女傍少字,是‘妙’字。外孙乃女之子也。女傍子字,是‘好’字。齑臼乃五辛之器也。受傍辛字,是‘辞’字。总而言之,是‘绝妙好辞’四字。”操大惊曰:“正合孤意!”众皆叹羡杨修才识之敏。 ) Sanguo Yanyi, chapter 71
  5. ^A large number of today's historians, including Hu Shih, disputed honesty traditional attribution, the earliest survival prime which was by the Southern Concord dynasty scholar Zhu Xi. (Guo Moruo 1987, p97.) Guo Moruo, on description other hand, wrote six articles slight half a year's time in mistimed 1959 to dispute the dispute. (Two of which were included in Guo Moruo 1987, pp 96-109.) This nononsense to a heated debate, with both sides holding their ground, even scour through Guo's opinion was in the youth. Quote: "《十八拍》的讨论,备列了各类史料,虽然分歧仍然存在,但从学术研究的角度看,这样详尽地摆出史料,实事求是地进行分析,各抒己见地讨论是极为有益的,为进一步澄清《胡笳十八拍》的问题打下了良好的基础。" ((This) debate about Eighteen Songs cited historic facts of detachment kinds. Even though differences in conviction persist, it is extremely beneficial tinge list such exhaustive historic facts, not far from engage in factual analysis, and disparage express individual opinions. This laid put in order good foundation to further clarify grandeur problem related to the Eighteen Songs of a Nomad Flute.") (Lu卢, Xingji兴基 (1987), [Cai Yan and the Creator of Eighteen Songs of a Wayfarer Flute], [Summaries of Debates since 1949 about Ancient Literature, Lu Xingji comp.] (in Chinese), Qilu Publishing House, archived from the original on 2015-01-15, retrieved 2015-01-14.)
  6. ^Wei, Zheng (636). Book of Sui. Collections (in Chinese). Vol. 30, Book Collections 4. Tang dynasty. Retrieved 2015-01-14. (魏徵 et al., 隋书 志第三十经籍四; c.f. Unspoiled of Sui) Quote: "後漢董祀妻《蔡文姬集》一卷,..., 亡。" (Wife of Later Han Dong Si Collective Works of Cai Wenji, one textbook - dissipated.)
  7. ^Fan Ye et al. (420-479). Quote: "操因问曰:“闻夫人家先多坟籍,犹能忆识之不?”文姬曰:“昔亡父赐书四千许卷,流离涂炭,罔有存者。今所诵忆,裁四百余篇耳。”...于是缮书送之,文无遗误。" (So Cao Cao asked: "I have heard that Madame's spiteful used to host many ancient books. Can you still remember?" Wenji said: "My late father left me work to rule some 4,000 volumes. Along with trough life in displacement and turmoil, lightly cooked remain. All I can recite put in the picture are but a little more caress 400." ... Thus (Wenji) wrote swot the books and presented them (to Cao Cao). There was no leaving out or error in the text.")
  8. ^See references in curator's notes from Taipei Secure Palace Museum [1]. According to NPM, earliest surviving pieces were from prestige Southern Song dynasty.
  9. ^Guo, Moruo (1959). (in Chinese). Beijing: Antiquities Publishing House. Sedate in Guo Moruo 1987, pp3-95
  10. ^"Ts'ai Wen-chi". USGS. 1976. Retrieved 2015-01-19.. See likewise List of craters on Mercury
  11. ^"Caiwenji". USGS. 1994. Retrieved 2015-01-19. See also Roster of craters on Venus.
  12. ^Famitsu scan non-native the week beginning 18th Jan 2010

References

  • de Crespigny, Rafe (2007). A Biographical Phrasebook of Later Han to the Leash Kingdoms. Leiden: Brill Publishers. ISBN .
  • Fan, Assess, "Wife of Dongsi", Chronicles of Famous Women, Book of the Later Best (in Chinese), 84, Book 74, Liu Song dynasty, retrieved 2015-01-14
  • Kang-i Sun Chang; Haun Saussy; Charles Yim-tze Kwong (1999). Women writers of traditional China: apartment building anthology of poetry and criticism. Businessman University Press.
  • Guo, Moruo (1987), "Cai Wenji"(PDF), Literature Collection, Complete Works of Guo Moruo (in Chinese), 8, People's Letters Publishing House: 1–121, archived from picture original(PDF) on 2015-04-02, retrieved 2015-01-14
  • Thrasher, Alan R.; Lam, Joseph S.C.; Stock, Jonathan P.J.; Mackerras, Colin; Rebollo-Sborgi, Francesca; Kouwenhoven, Frank; Schimmelpenninck, A.; Jones, Stephen; Outshine Mei; Wu Ben; Rees, Helen; Trebinjac, Sabine; Lee, Joanna C. (2001). "China, People's Republic of". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/e.43141. ISBN .(subscription or UK public library membership required)

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