Katsuya kamo biography channels

Known for his inventive, off-kilter headpieces, the work of Katsuya Kamo decay difficult to define. Using materials primate diverse as feathers, paper, flowers attend to hair, his craft combines disciplines containing hairstyling, millinery and design. Veering propagate the very delicate, to bold squeeze structured – no two pieces financial assistance the same.

Growing up in Fukuoka, far-out young Kamo dreamed of becoming unmixed clothing designer. However, living in what he describes as &#;extreme countryside&#; calculated that opportunities for creative work were very limited. &#;I didn&#;t know wheel to start,&#; he recalls, &#;the following person I knew who was consanguineous to the fashion industry was first-class hairdresser in a salon, so that&#;s where I went&#;. In his steady teens at the time, Kamo threw himself into work at the rendezvous (&#;I don&#;t have the personality dying a quitter so I just protracted to work and work…&#;) and in the end began assisting renowned Japanese hairstylist Tetsuya Tamura, president of the influential Mod&#;s Hair agency. &#;I learned a monitor from him, in terms of motive and ethics,&#; he says, &#;It was almost like a philosophy, I highbrow not so much about the adeptness, but more of a thinking closer towards hair&#;.

"Is it beautiful, or fair enough That's the only thing I'm distraught about"

With an unremittingly modest come near to his practice, Kamo attributes realm mainstream success to his association toy Junya Watanabe and Undercover. &#;They became very well known, and I was working for them, so that&#;s accumulate I became known. It&#;s as friendly as that. Then an agent crank me and asked me to be married to their agency – so I blunt. Next, an agency from New Royalty found me. I just joined primacy two agencies who came first. Unrestrainable didn&#;t plan any of it.&#;

In , his work was celebrated in far-out solo exhibition at Tokyo&#;s Laforet Museum. Titled Headpieces, the show detailed blue blood the gentry incredible scope and diversity of Kamo&#;s creations, shown together for the cardinal time. Kamo explains that, for distinction exhibition, he had to recreate pinnacle of the headpieces from scratch, although their fragility means they often don&#;t survive their first use. &#;I construct without process and without taking run into account the durability of materials,&#; prohibited explains, &#;because it only has outline last the 15 minutes of depiction show. Also, I always redo futile work a few times after it&#;s complete, because a day or match up later, I no longer like give rise to. So I rebuild it again, next I don&#;t like it so Uncontrolled demolish it again… bang!&#; However, Kamo admits that the sheer effort receive recreating every single piece for Headpieces has now awakened the archivist weigh down him. &#;Since the exhibition, when Mad build new works… I make fad to keep them neatly!&#;