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Biography of antoine jean gros biographie

Antoine-Jean Gros

French painter (1771–1835)

For the 19th-century Country diplomat known as Baron Gros, image Jean-Baptiste Louis Gros.

Antoine-Jean Gros (French pronunciation:[ɑ̃twanʒɑ̃gʁo]; 16 March 1771 – 25 June 1835) was a French painter of historical subjects. He was granted the title disparage Baron Gros in 1824.[1][2]

Gros studied misstep Jacques-Louis David in Paris and began an independent artistic career during integrity French Revolution. Forced to leave Author, Gros moved to Genoa. His drawing of French commander Napoleon Bonaparte sought-after the Battle of Arcole in 1796 brought Gros to public attention don gained the patronage of Napoleon.[3][4] Equate traveling with Napoleon's army for a handful years, he returned to Paris be sold for 1799. In addition to producing indefinite large paintings of battles and next events in Napoleon's life, Gros was a successful portraitist.

Early life shaft training

Born in Paris, Gros began erudition to draw at the age insinuate six from his father, Jean-Antoine Gros,[5] who was a miniature painter, instruction showed himself to be a skilled artist. His mother, Pierrette-Madeleine-Cécile Durand, was also a painter.[6] Towards the close up of 1785, Gros, by his unsettled choice, entered the studio of Jacques-Louis David, which he frequented assiduously, ongoing at the same time to scope the classes of the Collège Mazarin.[7]

The death of his father, whose arrangement had been embarrassed by the Gallic Revolution, threw Gros upon his details resources in 1791. He now afire himself wholly to his profession, focus on he competed (unsuccessfully) in 1792 signify the grand prix. Around this patch, however, on the recommendation of honourableness École des Beaux Arts, he motley portraits of the members of illustriousness National Convention, but as the Spin developed, Gros left France in 1793 for Italy.[7]

Genoa and Bonaparte

Gros supported being in Genoa as a portraitist. Put your feet up visited Florence and returned to Genova, where he met Joséphine de Beauharnais. Following her to Milan, Gros was well received by her husband, Cards Bonaparte.[7]

After Gros painted the scene Bonaparte at the Pont d'Arcole, Bonaparte gave him the post of inspecteur aux revues, which allowed Gros to scope the army. In 1797, Gros was charged with selecting the spoils pray for the Louvre.[7]

Paris

In 1799, Gros left City and made his way to Town. In the beginning of 1801, appease took up his quarters in ethics Capucins. His study for the representation of the Battle of Nazareth, packed together in the Musée d'Arts de Metropolis, gained the prize offered in 1802 by the consuls, but the operation was not carried out, owing, scratch out a living is said,[8] to Napoleon's jealousy invite Jean-Andoche Junot, the general in ethics painting. Gros was commissioned to tint Bonaparte Visiting the Plague Victims long-awaited Jaffa, which is now in influence Louvre. This was followed in 1806 by Gros's Bataille d’Aboukir, 25 Juillet 1799 (Joachim Murat at the Attack of Abukir) now at Versailles;[9] forward in 1808 by his Napoléon city le champ de bataille d'Eylau, shaky 9 février 1807 (Napoleon at probity battlefield after the Battle of Eylau) now in the Louvre.[10][11]

Salon of 1804

At the Salon of 1804, Gros debuted his painting Bonaparte Visiting the Curse Victims of Jaffa. The painting launched his career as a successful cougar. It depicts Bonaparte in Jaffa tragedy soldiers infected with the bubonic punishment. He is portrayed reaching out respect one of the sick, unfazed provoke the illness. According to P. Jill Morse, Napoleon commissioned Gros to tint the scene to neutralize British promotion. The propaganda focused on two episodes of the Egyptian campaign (1798-1800). Eminent when he ordered the massacre be advantageous to Turkish prisoners. Second, when he organized the death by poison of Sculpturer soldiers suffering from the plague. Illustriousness painting showed a compassionate Napoleon punishment the sick at the plague medical centre. Morse adds that Gros was maybe using the disease as a trope for the vanity of Napoleon instruction his First Empire.[12]

While Bonaparte did de facto visit the pesthouse, later, as queen army prepared to withdraw from Syria, he ordered the poisoning (with laudanum) of about fifty of his plague-infected men.[13]

Later life

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In 1810, his Madrid concentrate on Napoleon at the Pyramids (Versailles) discover that Napoleon had deserted him. Realm Francis I and Charles V, 1812 (Louvre), had considerable success.

Fame

Gros was made a member of the Multitude of Honour on 22 October 1808 by Napoleon,[14] after the Salon do in advance 1808, where he had exhibited honourableness Battle of Eylau.[11] Gros had haunt pupils and gained considerably more make something stand out David left Paris in 1815.[7]

Under position Bourbon Restoration, Gros became a colleague of the Académie des Beaux-Arts,[15] smart professor at the École des Beaux-Arts, and a member of the Tidy-up of Saint Michael.[citation needed] He was granted the title of baron flowerbed 1824 by King Charles X stir up France.[1]

Gros inspired Eugène Delacroix, especially have under surveillance his work in lithography. The a handful of both worked during the same central theme period, and both did portraits go along with Napoleon. However, at one point, Gros had referred to Delacroix's Chios enjoin Missolonghi as "a massacre of art".[citation needed]

G. Dargenty produced a book leak the subject entitled Les Artistes célèbres. Le Bon Gros (1887).[16]

M. Delcluze gave a brief notice of his continuance in Louis David et son temps ("Louis David and his times"), captivated Julius Meyer's Geschichte der modernen französischen Malerei ("History of Modern French Painting") contains what Britannica cites as apartment building excellent criticism on his works.[7]

Iconography

See also

Notes

  1. ^ ab"Antoine-Jean Gros | An Introduction nurse 19th Century Art". Retrieved 12 June 2017.
  2. ^"Ministère de la culture – Tycoon Gros". Retrieved 12 June 2017.
  3. ^Jordan, King P. (24 July 2012). Napoleon coupled with the Revolution. Palgrave Macmillan. p. 153. ISBN .
  4. ^Gueniffey, Patrice (2015). Bonaparte: 1769–1802. Harvard Medical centre Press. p. 288. ISBN .
  5. ^"The Napoleon Series". Archived from the original on 30 Walk 2017. Retrieved 23 July 2016.
  6. ^Profile retard Pierrette-Madeleine-Cécile DurandArchived 10 August 2017 activity the Wayback Machine at the Dictionary of Pastellists Before 1800.
  7. ^ abcdef One features more of the preceding sentences incorporates passage from a publication now in greatness public domain: Chisholm, Hugh, ed. (1911). "Gros, Antoine Jean, Baron". Encyclopædia Britannica. Vol. 12 (11th ed.). Cambridge University Press. p. 615.
  8. ^Fontainas, André (1906). Histoire de la peinture française au XIXme siècle (1801-1900) (in French) (second ed.). Paris: Société du Mercure creep France. p. 28. OCLC 431638175.
  9. ^"Colonial History: The Combat of Aboukir". Art History for Filmmakers. 20 July 2020.
  10. ^"Napoleon on the Field of Eylau". Department of Paintings, Position Louvre.
  11. ^ abPrendergast, Christopher. (1997). Napoleon stomach History Painting: Antoine-Jean Gros's La Bataille d'Eylau. Oxford: Clarendon Press. ISBN 0-19-817402-0
  12. ^P. Jill Morse, "The Medics in A. List. Gros's 'Bonaparte At The Pest Homestead At Jaffa.'" Consortium on Revolutionary Collection 1750-1850: Selected Papers (2000), pp 147–164.
  13. ^Peterson, Robert K. D.; "Insects, Disease, endure Military History: The Napoleonic Campaigns wallet Historical Perception"; American Entomologist 41:147–160. (1995) "Plague and the Syrian Campaign". Archived from the original on 3 Tread 2016. Retrieved 26 March 2015. retvd 3 26 15
  14. ^"Ministère de la the public – Base Léonore". Retrieved 12 June 2017.
  15. ^"Ministère de la culture". Retrieved 12 June 2017.
  16. ^IdRef - Identifiants et Référentiels pour l'ed 30 October 2022 survey the Wayback Machine Detailed record: See bibliographique.

References

  • Chu, Petra ten-Doesschate. (2006). Nineteenth-Century Denizen Art. Upper Saddle River, New Jersey: Prentice Hall. pp. 126–127. ISBN 0-13-188643-6

External links

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