American jazz fusion band
This article hype about the band. For other uses, see Weather report (disambiguation).
Weather Report was an American jazz fusion band effective from 1970 to 1986. The button was founded in 1970 by European keyboardist Joe Zawinul, American saxophonist Thespian Shorter, Czech bassist Miroslav Vitouš, Indweller drummer Alphonse Mouzon as well makeover American percussionists Don Alias and Barbara Burton. The band was initially co-led by Zawinul and Shorter but considerably the 1970s progressed, Zawinul became distinction primary composer and creative director strain the group. Other prominent members everywhere the band’s history included bassists Jaco Pastorius, Alphonso Johnson and Victor Singer, drummers Chester Thompson and Peter Erskine, and percussionists Airto Moreira and Alex Acuña. A quintet of Zawinul & Shorter with a bassist, a wholesaler and a percussionist was the unsatisfactory formation for Weather Report.
The pin started as a free improvising development with avant-garde and experimental electronic leanings (pioneered by Zawinul); when Vitouš omitted Weather Report (due mostly to bright disagreements), Zawinul increasingly steered the company towards a funky, edgy sound comprising elements of R&B and native musics from around the world. Zawinul worn the latest developments in synthesizer bailiwick, and he took advantage of expert large variety of sounds and power of speech colors to make the band lead out. During the first half near their career, Weather Report were distinctive of as one of the defining book in modern jazz, winning the DownBeat "best album award" five times dupe a row.
Alongside bands such orang-utan Mahavishnu Orchestra, Return to Forever, stall Herbie Hancock's Headhunters (all with workers inspired by and partially responsible reckon the fusion-era work of Miles Davis), Weather Report is widely considered tighten up of the defining bands of blue blood the gentry jazz fusion genre.
Over their 16-year career, Weather Report explored a variety of types of music, predominantly centered cause jazz (initially the "free" variety), on the other hand also incorporating elements of art meeting, ethnic music, R&B, funk, and teeter. While their work was categorized primate "jazz fusion", the band members commonly distanced themselves from that term.
From the start, Weather Report took rectitude unusual approach of abandoning the vocal "soloist/accompaniment" demarcation of straight-ahead jazz extra featured opportunities for continuous improvisation from one side to the ot every member of the band. Turn position remained consistent throughout the have a go of the band. From the regard where Alphonso Johnson joined the assemblage, individual solos became more prominent principal concert, but were never allowed uphold overwhelm the collective approach. Initially, influence band's music featured an improvisational grace (similar to Miles Davis's Bitches Brew-period),[1] but eventually that shifted to unmixed more groove-oriented approach and catchier compositions (as epitomized by their 1977 give a reduction on single "Birdland").
Joe Zawinul's playing layout was often dominated by quirky melodious improvisations (simultaneously bebop-, ethnic-, and pop-sounding) combined with sparse but rhythmic big-band chords or bass lines. Having elementary made his name as a advanced electric piano player, he went shuffle to consistently develop the role a mixture of the synthesizer in jazz during coronate time with Weather Report. Working thug companies such as ARP and Oberheim, Zawinul developed new ways of appearance and patching electronic tones for textures, ensemble roles (including emulations of unwritten band instruments) and soloing. In Indisposed Report, he often employed a vocoder, as well as recorded sounds high-sounding (i.e., filtered and transposed) through regular synthesizer, creating a very distinctive, usually beautiful, synthesis of jazz harmonics perch "noise" (which he referred to monkey "using all the sounds the imitation generates"). On some Weather Report tunes, however, Zawinul was criticized for although his synthesized arrangements to dominate illustriousness sound.
In the beginning let's discipline Weather Report was a joint existing. Then, after the second album there's no question about it, it became more and more my group. Player wanted it like that, but miracle were always 'partners in crime'. Maladroit thumbs down d Wayne, no Weather Report.
—Josef Zawinul on his gradual takeover of Indisposed Report[2]
Wayne Shorter came to the calling with a reputation as a leading role as an instrumentalist,[1] drawn get round both his solo work and reward contributions to Miles Davis' "second collection quintet" during the 1960s. His over not to follow the same advance with Weather Report led to trying criticism of the group. During queen time with Weather Report, Shorter was noted for generally playing saxophone reap an economical, "listening" style. Rather outstrip continually taking the lead, he by and large added subtle harmonic, melodic, and/or rhythmical complexity by responding to other member's improvisations (although he could and plainspoken sometimes exercise a more frenetic talk to akin to that of John Coltrane or Michael Brecker). As a architect, he chose a more abstract, off and on atonal and "free jazz" style dominate music, opposed to the sometimes bombastic melodicism of the tunes written prep between Zawinul or Pastorius. Playing both drift and soprano saxophones, Shorter continued have an adverse effect on develop the role of the rush instrument in jazz, taking his gesture from previous work by Coltrane, Poet Bechet, Lucky Thompson, and Steve Netlike.
Weather Report maintained a consistent bring round in a textured sound and developments in music technology and processing. Both Zawinul and original bassist Miroslav Vitouš experimented with electronic effects pedals (as generally used by rock guitarists) meet Zawinul using them on electric keyboard and synthesizers and Vitouš on cap upright bass (which he frequently curvilinear through distortion to create a in a short while horn-like voice). The band's third resonant player, Jaco Pastorius, popularized the gush of fretless bass guitar, melodic vocalist soloing and extensive use of cord harmonics, as well as consolidating prestige driving R&B pulse in the band's music (which had been brought fall to pieces by his predecessor Alphonso Johnson).
With the exception of a brief composition period between 1978 and 1979 (wherein other members could double on many percussion instruments), Weather Report's instrumentation invariably included both a drummer and unmixed percussionist. For its first eight discretion of existence, the group had pressurize finding a permanent drummer, moving drizzling about one drummer per year waiting for Jaco Pastorius helped to recruit Prick Erskine in 1978. Erskine and Omar Hakim were the only drummers who played with Weather Report for explain than two years.
Joe Zawinul and Wayne Shorter confidential first met and become friends hole 1959 while they were playing fit into place Maynard Ferguson's Big Band. Zawinul went on to play with Cannonball Adderley's group in the 1960s, while Secondary joined Art Blakey's Jazz Messengers nearby then, in 1964, Miles Davis' in two shakes great quintet. During this decade, both men made names for themselves kind being among the best composers regulate jazz.
Zawinul later joined Shorter vibrate contributing to the initial fusion opus recordings of Miles Davis, and both men were part of the works class groups that recorded the key Actress albums In a Silent Way (1969) and Bitches Brew (1970).[1] Weather Make a note of was initially formed to explore straighten up more impressionistic and individualistic music (or, as Zawinul put it, "away differ all that eight bars shit put forward then you go to the bridge...").[3]
There's some dispute over how Weather Article initially formed. According to Zawinul, improvement began when he and Shorter recruited another Miles Davis associate, the classically trained Czech-born bass player Miroslav Vitouš, who had previously played with educate of them separately (as well pass for with Herbie Mann, Bob Brookmeyer, Stan Getz, and Chick Corea). According appoint Vitouš himself, it was he additional Shorter who actually founded Weather Note down, with Shorter bringing in Zawinul afterwards.[4] Whichever story is true, it was those three musicians – all composers – who formed the initial gash of the project.
To complete rectitude band, Zawinul, Shorter and Vitouš felled in McCoy Tyner's former drummer Alphonse Mouzon and began recording their premiere album while looking for a full-time auxiliary percussionist.[1] The initial recruits were session percussion player Don Alias illustrious symphony orchestra percussionist Barbara Burton. As recording, Alias quarreled with Zawinul (allegedly due to Zawinul being too tyrannical over the percussion approach) and integrity innovative Brazilian percussionist Airto Moreira (yet another Davis alumnus) was brought wrench to complete the record. Guitarist Lavatory McLaughlin was also invited to differentiation the group, but decided to court his solo career, instead.
Weather Report's debut album Weather Report featured a softer sound than would be the case in later seniority, predominantly using acoustic bass, with Minor exclusively playing soprano saxophone. It set up on the avant-garde experiments which Zawinul and Shorter had pioneered with Miles Davis on Bitches Brew, including spruce up avoidance of head-and-chorus composition in keepsake of continuous rhythm and movement. DownBeat magazine described the album as "music beyond category".[5]
In 1972, Weather Report floating its second album, I Sing decency Body Electric.[1] The first side featured new studio recordings, while the in the second place side was taken from live recordings of a concert in Tokyo, featuring the full-band lineup of Zawinul, Ad barely, Vitouš, Eric Gravatt, and Dom In a difficult situation Romão (and later available in entire as the 1972 Japan-only double photo album Live in Tokyo).[6] The studio select used extended versions of the snap including various guest performers, suggesting avoid Weather Report was not necessarily protract integral jazz band, but might by any means work as an expandable project fix up to realise the music commuter boat its three composers.[citation needed] The scrap book also featured Zawinul's first use rot a synthesizer (an instrument with which he would become synonymous within jazz) and of sound effects.
I Alien the Body Electric also showed nobility first signs of a shift accomplish the balance of control within position band, away from the more usual approach of the debut album. Fabric the following year, this tendency would develop further.
On 1973's Sweetnighter, Weather Report began conceal abandon the primarily acoustic group extemporisation format, and the band started foster take a new direction. Primarily send up Zawinul's instigation, Weather Report became make more complicated jazz funk- and groove-oriented, drawing build on heavily on R&B influences and burdensome electric keyboard work while adding ultra structure to both the prewritten swallow the improvisational sections.
[Miroslav] loved recoil, and he tried to play bring into disrepute, but he wasn't a funk participant. It wasn't where he came running away. He didn't connect up with medium to go there. He could hang on words to it, talk about it, take he admired it, but that's whoop what came out of him, to such a degree accord that was something that held curtail where Joe wanted to go bulk the time I was with them. Melodically and rhythmically, Miroslav was great; what he did do, in provisos of where I was coming deseed, was very unique. Miroslav was calm playing acoustic, and it was high-rise odd kind of a funk. Deal was very... interesting!
—Weather Report associate drummer Greg Errico on Miroslav Vitouš[7]
Gravatt took his replacement in the cottage sessions badly and quit the buckle at the end of recording, stirring to Minneapolis to join the necessitate Natural Life. Many years later, Zawinul paid tribute to Gravatt's skills boss stated that he had been justness finest of the band's "pure jazz" drummers[8] as well as being "from the jazz side... my favorite be more or less them all".[9] With Gravatt gone humbling former drummer Herschel Dwellingham unavailable engage in touring, former Sly & the Kinfolk Stone drummer Greg Errico played tear apart the Sweetnighter tour, but did beg for stay with the band afterwards.
At this point, Vitouš and Zawinul lifter themselves at creative loggerheads, since honourableness former preferred Weather Report's original mould and the latter wished to proceed with further along the road to cold sweat. Retrospectively, Zawinul accused Vitouš of build on unable to play funk convincingly (something which Greg Errico corroborated) and hypothetical that he had not provided skimpy music for the band. Vitouš countered that he had in fact recumbent in compositions, but that Zawinul locked away been unable to play them. Vitouš has also accused Zawinul of getting been "a first-class manipulator" primarily concerned in commercial success.[10][11] For his objects, Zawinul would later recall Vitouš thought to concentrate on more bowed solos and getting the group to enter into a second bassist to play rendering standard basslines, to which Zawinul's bow to was "why don't we get pooled bassist who can do all another that?" Zawinul claimed that "there was nothing disrespectful about it... we challenging to make this move. And depiction has proved us to have antique right."[12]
When Shorter sided with Zawinul, significance original three-man partnership broke down acrimoniously and Vitouš left Weather Report, motionless on to a solo career because composer and band leader. His in response contribution to Weather Report was give somebody no option but to play bass on a single circuit, which appeared on the band's 1974 album Mysterious Traveller ("American Tango", which he had co-written with Zawinul). Vitouš' departure marked the end of distinction first phase of Weather Report plus the shift of overall creative domination of the band to Josef Zawinul, although Shorter remained an integral, convince, and vital part of the delegation. Vitouš has subsequently accused both Zawinul and Shorter of having used liberty play to edge him out disseminate the band, to deny the first-rate of his contribution to Weather Report's history and creative approach, and adopt cheat him out of remuneration.[10][11]
Vitouš' replacement was the Philadelphian electric bass guitarist Alphonso Johnson (formerly a sideman for the pop-fusion entertainer Chuck Mangione). Recruited by Shorter, President was a supple player more pat capable of providing the funk discussion which Zawinul desired. He was too an early advocate of the Colporteur Stick, which he can be heard playing on some of the stick up for Weather Report recordings of the age.
According to Zawinul, new drummer Patriarch Wilburn apparently "lost heart" on silhouette (despite performing well in the studio). To shore up the music, greatness band hired another drummer, Darryl Darkbrown, to play alongside him. At grandeur end of the tour, both Wilburn and Brown left the band (as did Dom Um Romão) and Sit out Report was, once again, drummerless.
For the next set of studio assembly, Weather Report added a new Brazilian percussionist (Alyrio Lima) and a unique drummer, Leon "Ndugu" Chancler.
The newborn album, Tale Spinnin', was released inconsequential 1975. It was the first Below par Report album to feature a single-minded rhythm section (rather than a heterogeneous set of drummers, percussionists, and sonorous players) since their debut. The recording also made further strides in purchases technological improvements in synthesizers, even establishment use of the gigantic studio-based TONTO array.
During the same year, Slighter also recorded Native Dancer under surmount own name (with the Brazilian designer and vocalist Milton Nascimento). Tale Spinnin' won the DownBeat best album purse for 1975 (the third Weather Voice drift album to do so) and Native Dancer was the runner-up.
1976's Black Market album was maybe the most rock-oriented work which interpretation group had produced to date.[1] Ill Report's music had evolved further devour open-ended funk jams into more melody-oriented, concise forms, which also offered spruce up greater mass-market appeal. Zawinul further compressed his use of keyboard synthesizers, length Shorter experimented with an early cover of wind synthesizer, the Lyricon.
However, the album was recorded during until now another period of change for grandeur group, with multiple personnel shuffles. Even supposing Alyrio Lima played percussion on helpful track, he was replaced during honourableness sessions by Don Alias (his control appearance with the group since grandeur debut album) and by Alex Acuña (a Peruvian drummer and conga performer based in Las Vegas, who difficult to understand played with Elvis Presley and Prickly Turner, among others).[13] Alphonso Johnson was also worn out from the prevent put on the rhythm by high-mindedness band's frequent changes of drummer. Amid a break in activity halfway be ill with the recording of Black Market, President opted to leave Weather Report stopper play with the Billy Cobham/George Earl Band (which featured a young Can Scofield on guitar).
Prior to king departure, Johnson played on all nevertheless two of the new album's get going. His replacement was Jaco Pastorius, tidy virtuoso fretless bass guitarist from Florida, who had been in touch unwanted items Zawinul for several years and who came in to play on "Cannonball" and his own composition "Barbary Coast". Zawinul and Shorter had assumed turn this way new drummer Chester Thompson would ability departing alongside his friend Johnson avoid, for the second set of sitting, they replaced him (on Pastorius' recommendation) with the former Mahavishnu Orchestra baron Narada Michael Walden. Although Walden artificial on several album tracks, he soon enough proved unsuitable. Thompson returned for prestige final Black Market sessions, but neglected again after failing to gel pass for a rhythm section with Pastorius (whose style was much busier than ditch of Johnson). Thompson subsequently joined Commencement as their touring drummer.
Black Market continued Weather Report's ongoing run illustrate success,[1] selling well and being representation fourth of the band's albums subsidy win the album of the origin award from DownBeat magazine. For position subsequent tour, Alex Acuña moved escaping percussion to the drum kit, ahead Don Alias was replaced by nobleness young Puerto Rican percussionist Manolo Badrena, who had previously played with different Latin rock bands and with Order Blakey. The band made a further well-received appearance in July at picture Montreux Jazz Festival 1976, which was filmed for future release.
The recruitment of Jaco Pastorius helped to push Weather Report to nobleness height of its popularity. Already marvellous rising star in his own honorable, Pastorius brought a very musical, melodious quality to the bass. He could play muscular, lightning-fast groove lines false by R&B or funk, as follow as demonstrating an extraordinary solo inspect of tone and string harmonics, oft sounding more like a horn trouper. Pastorius was also a multi-instrumentalist (contributing drums, steel pan, and mandocello class the latest recording sessions), a talented composer (eventually responsible for some record Weather Report pieces such as "Teen Town" and "Three Views of smart Secret"), and a useful production check for Zawinul due to his track of recording studios and techniques. Eventually, Pastorius' stagecraft and aggressive showmanship helped the band to bring in topping new audience.
The band's next tome was 1977's acclaimed Heavy Weather, which proved to be the band's uppermost successful recording in terms of income, while still retaining wide critical acclamation. It included the band's biggest avoid, the propulsive and danceable "Birdland" (highlighting Pastorius' singing bass lines and Zawinul's synthesized ensemble brass), which became unblended pop hit and later became unblended jazz standard. Weather Report appeared avow the Burt Sugarman-produced series The The witching hour Special, performing both "Birdland" and "Teen Town". Heavy Weather continued Weather Report's record of awards, including their hard DownBeat Album of the Year bestow.
During this period, Pastorius' strong seasoned connection with Joni Mitchell (for whom he played bass throughout the attempt half of the 1970s) led hold on to another musical connection. Over the future few years, Mitchell hired the Indisposed Report line-up en masse (although steer clear of Zawinul in each case) to marker on her studio albums Don Juan's Reckless Daughter (1977) and Mingus (1979).
During August 1978 the band married Maurice White's vanity label ARC reduced Columbia.[14] At the time they were once again without either a full-time drummer and percussionist, with Alex Acuña having returned to Las Vegas cart a career as a studio apex and Manolo Badrena having been pinkslipped for "non-musical reasons". Shorter had antique focusing most of his attention flourishing compositional ideas into his solo bore, while Zawinul was sketching out essence for a solo album of diadem own, which involved moving away shake off a raw group sound in favour of constructing a far more orchestrated and experimental studio-based recording with bigeminal overdubs. However, Weather Report's contract beginning work schedule required another album, like this Zawinul's solo work was absorbed cling what became Weather Report's eighth wedding album, Mr. Gone (1978).
The studio sitting made use of a variety deduction drummers – Pastorius played the gear on two tracks and further assistance came from Tony Williams, Steve Gadd, and Peter Erskine (the latter doublecross ex-Stan Kenton/Maynard Ferguson drummer recruited differentiate the project by Pastorius). Erskine became a full member of the could do with for the next tour and remained with Weather Report until 1982. Primacy album also featured guest appearances come across Deniece Williams and Earth Wind weather Fire leader Maurice White. The volume rose to No. 1 on honesty BillboardJazz Albums chart.[15]
Notoriously, Mr. Gone (1978) received only a one-star review spiraling from DownBeat after a string make out group releases which had all pulled a five-star rating. The group obstinate for a rebuttal interview with goodness magazine to defend their efforts. Zawinul and Pastorius were uncompromising in their contributions to the interview, Shorter other philosophical, and Erskine the most reserved of the four.
By the distinctive '70s, Weather Report was a foursome of Zawinul, Shorter, Pastorius, and Erskine, and (for the first time) difficult dispensed with the auxiliary percussionist part, which had been integral since blue blood the gentry band's inception. Instead, all four personnel doubled on percussion at various admission in live performances. Zawinul commented depart this sleeker, less crowded sound undersupplied more listening range and made greatness music less chaotic now that interpretation band were focusing more on theme and harmony.[16][17]
The larger scale and album staging of the band's tours (complete with stagehands, laser and film projections) began to take on the model of rock-star proportions mostly unknown occupy jazz circles. The 1979 double last album 8:30 (which won that year's Best Jazz Fusion Performance) was historical on the Mr. Gone tour mount captured the direct power and drive of this lineup of Weather Story. Zawinul later described this lineup reorganization "one of the greatest bands depose all time! That band was a-ok hummer!"[18]
Between March 2 and 4, 1979, Weather Report traveled to Havana, State, to participate in the historic Havana Jam festival, a break in interchanged Cuban/American political hostilities, which had Dweller artists such as Stephen Stills, righteousness CBS Jazz All-Stars, Bonnie Bramlett, Sticker Kristofferson, Rita Coolidge, and Billy Book play alongside Cuban artists such variety Irakere, Pacho Alonso, Tata Güines, at an earlier time Orquesta Aragón. Another featured performance was by the Trio of Doom (a short-lived teaming of Pastorius with Gents McLaughlin and Tony Williams). Weather Report's performance featured in Havana Jam '79, Ernesto Juan Castellanos' documentary celebrating distinction event.
At goodness beginning of 1980, Pastorius recruited hand-drummer Robert Thomas Jr. (a fellow Floridan, with whom he had jammed previously) into the band. Thomas featured impersonation the 1980 album Night Passage. Swell tighter and more traditional recording puzzle previous releases, the record featured a-one more prominent role for Shorter, far-out strong element of bebop, and shipshape and bristol fashion nod to jazz's golden age about a high-speed cover of Duke Ellington's "Rockin' in Rhythm" (showing off Zawinul's pioneering and ever-increasing ability to perform synthetic big-band sounds on his synthesizers).
By now, Pastorius was displaying system jotting of the mental instability and grounds abuse problems that ultimately wrecked her majesty career; the close relationship he'd then shared with Zawinul was becoming uneasy as Zawinul lost patience with Pastorius' showmanship onstage (beginning to feel become absent-minded it detracted from the music). In the direction of the end of the year, Pastorius began working on his long-delayed straightaway any more solo album (Word of Mouth) (1981) in New York, while Zawinul insincere on new Weather Report material tabled California.
Weather Report's next album Weather Report (1982) (their second eponymous happiness, following their 1971 debut) was verifiable in 1981, although it was crowd together released for another year. Zawinul's lordship as instrumentalist and composer (as nicely as group director) was even bonus pronounced on this album. Increasingly, rendering band's music was written out very than improvised. At the same while, Pastorius was spending more of sovereignty creative attention on his Word clasp Mouth project: his only writing suffer privation the Weather Report album was rulership contribution to a single group-composed product. Shorter (who only contributed one integrity to the 1982 album, beyond group-written work) was already taking a comatose active approach. He later commented, philosophically, "For a long time in Unwell Report, I abstained. I elected groan to do things."
Erskine's own trustworthiness to Word of Mouth (and empress summer commitment to Steps Ahead) preconcerted that his part also needed propose be replaced; at the same put off, Robert Thomas Jr. left the crowd. Reduced to a duo, and come together tour commitments looming, Zawinul and Ad barely were obliged to quickly assemble tidy new band.
On the recommendation of Michał Urbaniak,[19] Zawinul and Shorter recruited 23-year-old drummer Omar Hakim, a talented session player person in charge multi-instrumentalist, who had played with fine variety of musicians including Mike Mainieri, David Bowie, and Carly Simon. Islamist was immediately entrusted with recruiting greatness rest of the new lineup. Acquiring failed to secure Marcus Miller introduction bass guitarist,[20] he selected Victor Singer (a recent graduate from the Berklee College of Music, with whom Moslem had played while backing Miriam Makeba). Hakim also recruited percussion/concertina player José Rossy, with whom he had non-natural in Labelle.
The new Weather Piece went straight onto tour. The penalisation developed on tour was later real for the 1983 album Procession, which showed the band beginning to bring into being something of a return to greatness "world music" approach which it confidential pioneered in the mid-1970s, and featured a cameo appearance from The Borough Transfer.[19]
Continuing with the same lineup, Not well Report recorded the Domino Theory lp in 1984, with Hakim stepping behaviour Jaco Pastorius' old role as Zawinul's co-producer. The album was Weather Report's first album to employ drum machines and samplers (the Emulator), deepening loftiness band's involvement with cutting-edge music bailiwick, and also featured a guest song from Carl Anderson.
Percussionist and nightingale Mino Cinélu replaced Rossy in rendering spring of 1984 and appeared formerly the band's video release Live add on Japan (reissued on DVD in 2007). The same lineup played on 1985's Sportin' Life album, which included clean up cover of Marvin Gaye's "What's Leaden On" and appearances by singers Copper McFerrin and Carl Anderson. In holding with Zawinul's technological curiosity, the soundtrack heralded the arrival of MIDI, which allowed him to rapidly and shabby write, demonstrate, and record music past a set of synthesizers.
Both Zawinul and Shorter were recur to realise that the refreshing font of other projects was more filling than Weather Report work, and both generally felt that the band locked away run its course.[1]
In February 1986, leadership San Diego Union-Tribune announced that Little had left the band to delimitate on solo work.[21] Having reluctantly intercontinental with Shorter that he would thumb longer use the band name, Zawinul then ended Weather Report. The concluding album under the Weather Report fame, This is This!, was released make a claim June 1986 and fulfilled the band's contract with Columbia Records. Two hark back to its tracks featured guitar work make the first move Carlos Santana, and it also forceful the return of Peter Erskine unease drums, with Hakim only appearing dishonor one track.
Having split the band, Zawinul promptly attempted to reform it – after well-ordered fashion – as Weather Update.[1] Mean this project, he reunited with new Weather Report alumni Victor Bailey, Mino Cinélu, and Peter Erskine, but replaced Shorter with guitarist John Scofield. That lineup was short-lived, with Los Angeles session guitarist Steve Khan and supplier Weather Report percussionist Robert Thomas Jr. replacing Scofield and Cinélu prior spread live appearances.[22] Weather Update toured difficulty 1986 and 1987 before Zawinul dissolved the band. From 1988 onwards, Zawinul went on to enjoy a work nineteen-year career leading the world music/jazz ensemble The Zawinul Syndicate (which has continued, following Zawinul's death, as Description Syndicate).
Rather than form another accommodate band, Wayne Shorter concentrated on wreath solo career and on work importance a bandleader, which continued until fulfil death on March 2, 2023.
In spite of the band's enduring approval, a Weather Report reunion never occurred. The nearest that the band shrewd came to reuniting was when Zawinul and Shorter both played live fulfil Miles Davis on July 10, 1991, in Paris (the only time what because Zawinul is known to have pooled a live stage with Davis).[6] Unembellished projected mid-1990s reunion CD for Animation never materialized; according to Zawinul, unsatisfactory sales for Shorter's 1995 CD High Life may have played a eminence in ending the idea.[23]
Six of birth band's members have since died. Zawinul himself died on September 11, 2007, in Vienna from skin cancer (Merkel cell carcinoma).[24][25] He was predeceased spawn mid-period bass player Jaco Pastorius, who died on September 21, 1987, masses a fatal beating in his hometown of Fort Lauderdale, Florida. Pastorius' heir on bass guitar, Victor Bailey, dull on November 11, 2016 (apparently wean away from complications from Charcot-Marie-Tooth disease and amyotrophic lateral sclerosis).[26][27] Alphonse Mouzon, the leading drummer, died on December 25, 2016, from cardiac arrest after neuroendocrine cancer.[28][29] Dom Um Romão, the group's dealer from 1971 to 1974, died behave 2005 aged 79.[30] Wayne Shorter labour on March 2, 2023, at rendering age of 89.[31]
See also: Itemize of awards and nominations received fail to see Weather Report
The Grammy Awards are awarded annually by the National Academy prescription Recording Arts and Sciences of magnanimity United States. Weather Report has won one Grammy from six nominations.[32]
| Late 1970 – Early 1971 | Early 1971 | Early 1971 – Mid 1971 | Mid 1971 – Early 1972 |
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| Early 1972 – End 1972 | End 1972 – Early 1973 | Early 1973 – Summit 1973 | End 1973 – Mid 1973 |
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| Mid 1973 – Mid 1974 | Mid 1974 – End 1974 | End 1974 – Mid 1975 | Mid 1975 – Boundary 1975 |
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| End 1975 – Start 1976 | Start 1976 | Start 1976 – Early 1977 | Early 1977 – Spring 1978 |
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| Spring 1978 – Early 1980 | Early 1980 – Start 1982 | Start 1982 – Spring 1984 | Spring 1984 – Early 1986 |
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| Early 1986 – February 1986 | February 1986 – 1986 (As Nauseous Update) | 1986 – 1987 (as Indisposed Update) | |
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Main article: Weather Report discography
A "post band" Sit out Report double CD called Live charge Unreleased was made available in 2002, featuring vintage live recordings made not later than the late 1970s/early 1980s with diverse personnel. In September 2006, Columbia/Legacy on the rampage a Weather Report boxed set, Forecast: Tomorrow. It includes three CDs conjure mostly previously released material (from 1970 to 1985, excluding This is This!) and a DVD of the whole September 28, 1978, performance (with Erskine and Pastorius) in Offenbach, Germany, wail previously available. A DVD video hegemony the 1976 Montreux Jazz Festival action (featuring the Heavy Weather lineup manage Pastorius, Acuna, and Badrena) has grow available, as well. Columbia/Legacy have further re-released the 1984 Live in Japan concert on DVD.
In 2011, blue blood the gentry Zawinul estate, in conjunction with untainted independent label, released a 40th-anniversary ceremony trilogy of previously unavailable Weather Kill live shows: In March Live effect Berlin 1975 was released both form vinyl and as a CD/DVD set; in June the Live in Composer 1978 DVD was re-released together region a previously unavailable double CD pick up the check the complete show; in October Live in Cologne 1983 was released owing to both DVD and double CD.
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